Wounds

Six Stories from the Border of Hell

By: Nathan Ballingrud

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Paperback | 9 April 2019

At a Glance

Paperback
288 Pages

Dimensions(cm)
22.86 x 15.24 x 1.91

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“Stretch[es] the boundaries of the genre...It’s horrifying, but there’s beauty.” —The New York Times
“One of the field’s most accomplished short story writers.” —The Washington Post

A gripping collection of six stories of terror—including the novella “The Visible Filth,” the basis for the upcoming major motion picture—by Shirley Jackson Award–winning author Nathan Ballingrud, hailed as a major new voice by Jeff VanderMeer, Paul Tremblay, and Carmen Maria Machado—“one of the most heavyweight horror authors out there” (The Verge).

In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” (Toronto Globe and Mail) portrayals of the monsters that haunt our lives—both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” (Los Angeles Review of Books).

Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in “The Visible Filth” to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.

Industry Reviews

STARRED REVIEW "[Ballingrud's] evocative and strangely beautiful descriptions of the grotesque and terrible are sure to linger long after they are read."-- "-- Publishers Weekly"
"In only two slender collections, Nathan Ballingrud has emerged as one of the field's most accomplished short story writers."--The Washington Post
"Nathan Ballingrud's brilliant fiction brims with imagination, integrity (I do not use that term lightly), and an authentic world-weary dread that bores directly into your heart. With Wounds you'll gladly follow Nathan to Hell and (maybe) back."---- Paul Tremblay, award-winning author of THE CABIN AT THE END OF THE WORLD and A HEAD FULL OF GHOSTS
"Stretch[es] the boundaries of the genre by employing these grand, horrific worlds. "The Butcher's Table" reminds me of the first time I read Clive Barker's "In the Hills, the Cities." It's horrifying, but there's beauty."--The New York Times

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