WINNER OF THE EVERYMAN WODEHOUSE PRIZE 2016
A comic masterpiece about love, art, greed and the banking crisis, from the author of Skippy Dies
What links the Investment Bank of Torabundo, www.myhotswaitress.com (yes, hots with an s, don't ask), an art heist, a novel called For the Love of a Clown, a four-year-old boy named after TV detective Remington Steele, a lonely French banker, a tiny Pacific island, and a pest control business run by an ex-KGB man? You guessed it . . .
The Mark and the Void is Paul Murray's madcap new novel of institutional folly, following the success of his wildly original breakout hit, Skippy Dies. While marooned at his banking job in the bewilderingly damp and insular realm known as Ireland, Claude Martingale is approached by a down-on-his-luck author, Paul, looking for his next great subject. Claude finds that his life gets steadily more exciting under Paul's fictionalizing influence; he even falls in love with a beautiful waitress. But Paul's plan is not what it seems-and neither is Claude's employer, the Bank of Torabundo, which inflates through dodgy takeovers and derivatives-trading until-well, you can probably guess how that shakes out.
The Mark and the Void is a stirring examination of the deceptions carried out in the names of art, love and commerce - and is also probably the funniest novel ever written about a financial crisis.
%%%A comic masterpiece about love, art, greed and the banking crisis, from the author of Skippy Dies
What links the Investment Bank of Torabundo, www.myhotswaitress.com (yes, hots with an s, don't ask), an art heist, a novel called For the Love of a Clown, a four-year-old boy named after TV detective Remington Steele, a lonely French banker, a tiny Pacific island, and a pest control business run by an ex-KGB man? You guessed it . . .
The Mark and the Void is Paul Murray's madcap new novel of institutional folly, following the success of his wildly original breakout hit, Skippy Dies. While marooned at his banking job in the bewilderingly damp and insular realm known as Ireland, Claude Martingale is approached by a down-on-his-luck author, Paul, looking for his next great subject. Claude finds that his life gets steadily more exciting under Paul's fictionalizing influence; he even falls in love with a beautiful waitress. But Paul's plan is not what it seems-and neither is Claude's employer, the Bank of Torabundo, which inflates through dodgy takeovers and derivatives-trading until-well, you can probably guess how that shakes out.
The Mark and the Void is a stirring examination of the deceptions carried out in the names of art, love and commerce - and is also probably the funniest novel ever written about a financial crisis.
Industry Reviews
The Mark and the Void is so sensationally good...it takes the global financial crisis by its throat, and shakes it into giving birth to a wild, intelligent, angry, witty, uproariously funny, devastating novel -- Neel Mukherjee The Mark and the Void is just as funny [as Skippy Dies] , though perhaps with an even deeper sense of alienation at its heart Independent The Mark and the Void is Murray's best book yet - a wildly ambitious, state-of-the-nation novel, and a scabrously funny yet deeply humane satire on the continuing fall-out of the biggest financial crisis in 75 years. Think Bonfire of the Vanities with a heart The Bookseller Paul Murray has done the impossible: he's written a novel about international finance that is a hilarious page-turner with a beating human heart -- Adam Wilson, author of 'Flatscreen' People always tell me 'If you love Paul Murray so much, why don't you marry him?' Now thanks to recent legislation in his native Ireland, I finally can. And so should you, reader. The Mark and the Void not only monetizes the death of the novel, but makes us believe in its resurrection. Praise the Lord for Paul Murray's big brain and tender heart -- Gary Shteyngart This novel's arrival deserves a trumpeting fanfare... curiously brilliant, intricately entertaining... banker plus struggling novelist equals page turner Sunday Independent Effervescent prose... [It] takes on the crackle of a thriller [and] wears its anger over the global financial crisis with a beguilingly, deceptively light touch Metro
