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Paul Goodman Reader - Paul Goodman

Paul Goodman Reader

By: Paul Goodman, Taylor Stoehr (Editor)

Paperback | 2 December 2010

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A one-man think-tank for the New Left, Paul Goodman wrote over thirty books, most of them before his decade of fame as a social critic in the Sixties. A Paul Goodman Reader that does him justice must be a compendious volume, with excerpts not only from best-sellers like Growing Up Absurd, but also from his landmark books on education, community planning, anarchism, psychotherapy, language theory, and poetics. Samples as well from The Empire City, a comic novel reviewers compared to Don Quixote, prize-winning short stories, and scores of poems that led America's most respected poetry reviewer, Hayden Carruth, to exclaim, "Not one dull page. It's almost unbelievable."

Goodman called himself as an old-fashioned man of letters, which meant that all these various disciplines and occasions added up to a single abiding concern for the human plight in perilous times, and for human promise and achieved grandeur, love and hope.

Industry Reviews

"It was that voice of his that seduced me--that direct, cranky, egotistical, generous American voice... Paul Goodman's voice touched everything he wrote about with intensity, interest, and his own terribly appealing sureness and awkwardness... It was his voice, that is to say, his intelligence and the poetry of his intelligence incarnated, which kept me a loyal and passionate fan."
--Susan Sontag, novelist and public intellectual

"Goodman, like all real novelists, is, at bottom, a moralist. What really interests him are the various ways in which human beings living in a modern metropolis gain, keep or lose their integrity and sense of selfhood."
--W.H. Auden, poet

"Any page by Paul Goodman will give you not only originality and brilliance but wisdom, that is, something to think about. He is our peculiar, urban, twentieth-century Thoreau, the quintessential American mind of our time."
--Hayden Carruth, poet and essayist

"No one writing now in America makes better sense of literary subjects. His ability to combine linguistic criticism, politics, a version of the nature of man, anthropology, the history of philosophy, and autobiographical testament with literary analysis, and to make a closely woven fabric of argument, seems magical."
--Robert Meredith, The Nation

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