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Digital Practices : Aesthetic and Neuroesthetic Approaches to Performance and Technology - Susan Broadhurst

Digital Practices

Aesthetic and Neuroesthetic Approaches to Performance and Technology

By: Susan Broadhurst

Paperback | 1 June 2011 | Edition Number 1

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Digital Practices, now in paperback and with a new preface, offers a description of a range of art and performance practices that have emerged within the context of a broad-based technological infiltration of all areas of human experience. They are integral to alternative and also to mainstream performance and culture, and demand perceptual strategies that can address the interface between the physical and the virtual. In this pioneering study, Susan Broadhurst explores the aesthetic theorisation of these practices and extends her analysis to include other approaches, including those offered by recent research into the emergent field of neuroesthetics.
Industry Reviews

'A groundbreaking and long-lasting resource for anyone interested in the uses and influences of contemporary technologies in performance practice and beyond. It will appeal to a range of readers, from undergraduate to postgraduate students studying performance, media and cultural studies, as well both theatre professionals and academics/scholars in these fields.' - Paul Woodward, Department of Drama, St Mary's University College, Twickenham, UK

'Broadhurst demonstrates an erudite and sophisticated knowledge of...various critical theories and her arguments serve well as intriguing ways for thinking through performance and technology...Digital Practices is a fascinating and adventurous book, which combines a daunting volume of critical and scientific theory to understand a wide variety of digital performance and art production.' - Matthew Causey Contemporary Theatre Review

'...a facinating and much needed overview of current developments within the field of media and performance. Extremely well structured and presented the text articulates a remarkably clear developmental pathway...anyone interested in the uses and influences of contemporary technologies in performance practice and beyond which will appeal to a range of readers from undergraduate to postgraduate students studying performance, media and cultural studies as well as both theatre professionals and academics/scholars in these fields.' Body, Space & Technology

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