Get Free Shipping on orders over $79
The Infernal Return : The Recurrence of the Primordial in Films of the Reaction Years, 1977-1983 - Rodney Farnsworth

The Infernal Return

The Recurrence of the Primordial in Films of the Reaction Years, 1977-1983

By: Rodney Farnsworth

eText | 30 October 2001 | Edition Number 1

At a Glance

eText


$92.71

or 4 interest-free payments of $23.18 with

 or 

Instant online reading in your Booktopia eTextbook Library *

Why choose an eTextbook?

Instant Access *

Purchase and read your book immediately

Read Aloud

Listen and follow along as Bookshelf reads to you

Study Tools

Built-in study tools like highlights and more

* eTextbooks are not downloadable to your eReader or an app and can be accessed via web browsers only. You must be connected to the internet and have no technical issues with your device or browser that could prevent the eTextbook from operating.
George Lukas and other leading filmmakers acknowledge their indebtedness to mythographic scholarship on archetypes. In his new study, author Rodney Farnsworth identifies a pattern of filmmakers' obsessions with archetypical rituals centered on sacrifice and the family in films made between 1977 and 1983, a period of political upheaval on both sides of the Atlantic. Combining a strong historical reading of the films in a sociopolitical context and utilizing Queer Theory as a framework for his arguments, Farnsworth offers a close examination of key films of the period, including works by Stanley Kubrick, Robert Altman, and Francis Ford Coppola, and provides a fascinating and timely glimpse of an important political and cinematic time. Marking the end of a more liberal era, the late seventies and early eighties witnessed the growth of reactionary conservative movements such as the New Religious Political Right. These were the years that gave birth to movies--from esoteric art-house pictures to blockbusters such as Star Wars--that seemed in many cases to be adaptations of primordial mythology, subverting liberal-to-moderate views into reactionary depictions of family life. Although filmmakers had turned to these myths to shape their works, Farnsworth observes, the unstable, volatile nature of the archetypes deconstructed their best social intentions into something rich, strange, and deadly. This thought-provoking work will be of interest to students of social history as well as film studies.
on
Desktop
Tablet
Mobile

More in Specific Films

Somewhere in the Night - Nicholas Christopher

eBOOK

Elia Kazan : A Biography - Richard Schickel

eBOOK

RRP $21.99

$17.99

18%
OFF
The Dharma of Star Wars - Matthew Bortolin

eBOOK

Why I Fight : The Belt Is Just an Accessory - B.J. Penn

eBOOK

RRP $17.99

$14.99

17%
OFF
Crackpot : The Obsessions of - John Waters

eBOOK

Apocalypse : Resident Evil - Keith R. A. DeCandido

eBOOK