Sex, drugs, and murder in 1980s Los
Angeles... And the best new twist on paperback pulp heroes since The Punisher or
Jack Reacher.
Ed Brubaker and
Sean Phillips, the modern masters of crime noir, bring us the last thing anyone
expected from them - a good guy - in a bold new series of original graphic
novels, with three books releasing over the next year, each a full-length story
that stands on its own.
Meet
Ethan Reckless: Your trouble is his business, for the right price. But when a
fugitive from his student radical days reaches out for help, Ethan must face the
only thing he fears... his own past.
"Imagine Redford at his peak,
ambling through sun-drenched, eighties L.A. in a serpentine plot that is equal
parts Long Goodbye and Point Break. No one does crime fic like Brubaker and
Phillips and their collaboration has never felt more new. Explosive. Vital. And
yes... reckless. I love this book." - Damon Lindelof (Lost, HBO's Watchmen)
"Reckless is an absolute
rush: on the same level as golden age Travis McGee novels and the
hardest-hitting Richard Stark stories. This one comes at you as fast as Steve
McQueen in a souped-up Mustang and as hard as Charles Bronson with a baseball
bat. You gotta have it." - Joe Hill (Locke & Key, N0S4A2)
Look for book 2 in the
Reckless series in April 2021!
Industry Reviews
PUBLISHERS WEEKLY --The sure-footed latest hardboiled
thriller from Brubaker and Phillips (Criminal) hits the ground running,
delivering both style and substance in its sunny 1980s California setting. Ethan
Reckless, a freelance fixer and odd-jobs man operating out of an old movie
palace, gets a call from an ex-girlfriend that drags him back to his tangled
past in the hippie counterculture. His attempt to help his ex recover stolen
money brings him up against the FBI, the CIA, left-wing terrorists, plus old
friends and enemies. Reckless is a quintessential noir hero, a jaded man who has
countless secrets and a weakness for troublemaking women, and Brubaker and
Phillips hit familiar beats with each plot twist and turn. An undercurrent of
political commentary and judicious use of historical details, like the CIA's
domestic spy program, lend welcome heft to the pulpy proceedings. Phillips
drenches the pages in warm, saturated colors that provide an ironic contrast to
the characters' shady doings. This slick offering from an uber-talented
team, the first in a series, promises good things to come. (Dec.)