Comics and Ideology

By: Edward H. Sewell Jr. (Editor), Matthew P. McAllister (Editor), Ian Gordon (Editor)

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Paperback | 1 December 2000 | Edition Number 2

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Superman's role in romanticizing commercialism; sexual violence in Japanese manga comics; Wonder Woman as Americanized immigrant; reader's reactions to the gay superhero Northstar; Dilbert as a workplace revolutionary; the Punisher's invasion of Vietnam--these are a few of the issues that

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List of Figures	p. xi
Introducing Comics and Ideology	p. 1
Ownership Concentration in the U.S. Comic Book Industry	p. 15
The Women's Suffragist Movement Through the Eyes of Life Magazine Cartoons	p. 39
Humor and Gender Politics: A Textual Analysis of the First Feminist Comic in Hong Kong	p. 69
"The Dominant Trope": Sex, Violence, and Hierarchy in Japanese Comics for Men	p. 99
The Tyranny of the Melting Pot Metaphor: Wonder Woman as the Americanized Immigrant	p. 129
From Realism to Superheroes in Marvel's The 'Nam	p. 151
Nostalgia, Myth, and Ideology: Visions of Superman at the End of the "American Century"	p. 177
Kevlar Armor, Heat-Seeking Bullets, and Social Order: A Mythological Reading of Judge Dredd	p. 195
Coming Out in Comic Books: Letter Columns, Readers, and Gay and Lesbian Characters	p. 221
Queer Characters in Comic Strips	p. 251
Power to the Cubicle-Dwellers: An Ideological Reading of Dilbert	p. 275
List of Contributors	p. 301
Table of Contents provided by Syndetics. All Rights Reserved.

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