Objects as Actors

"Objects as Actors is an elegantly written and original exploration of the function and meaning of props on the Attic stage. The premise, that objects participate in a network of social relations and as such have the potential to exert agency, affords a unique perspective on tragic drama and sheds new light on old debates. Wide ranging and ambitious, Objects as Actors puts the field of classics into dialogue with many other disciplines and makes a significant contribution to current debates among anthropologists, historians, and literary critics about the cultural and social life of things."--Laura McClure, University of Wisconsin-Madison
"Objects as Actors is a must-read for anyone interested in the mysterious and uncanny powers of theater, whether Greek tragedy or the latest modern productions. Mueller has succeeded in combining meticulous philological analysis of the handling of props by the major classical playwrights with groundbreaking theory concerning agency, cognition, materialist philosophy, symbolic economies, politics, and sociology. The result is a truly illuminating, densely packed book offering fresh discoveries about some of our oldest literature. From the sword of Ajax to the urn of Electra, from stage letters to tokens of recognition, Mueller's laser-like probing continually reveals strange and moving aspects of the visual experience of Athenian drama."--Richard Martin, Stanford University
"Objects as Actors: Props and the Poetics of Performance in Greek Tragedy introduces a new approach to Athenian tragic plays, focusing on the importance of objects in their staging and reception, and showing how props demand attention and participate as agents of tragic action."--Lilah Grace Canevaro "Journal of Hellenic Studies"
"Original, provocative, thoroughly researched, and well written, Objects as Actors is the first book-length discussion of tragic props, and it deals with many of the most important uses of them in the context of whole plays. Mueller makes deft use of anthropological and theater theory to produce an innovative work on a cutting-edge topic. This is an important book."--Helene P. Foley, Barnard College, Columbia University