Nomadic Narratives, Visual Forces

Gwen John's Letters and Paintings

By: Maria Tamboukou, Kristi Siegel (Editor)

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Hardcover | 22 July 2010

At a Glance

Hardcover
212 Pages

Edition Type
New edition

Dimensions(cm)
22.86 x 15.24 x 1.91

Hardcover

$105.05

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Nomadic Narratives, Visual Forces explores issues, questions, and problems emerging in the analysis of epistolary and visual narratives. This book focuses in particular on Gwen John's letters and paintings. It offers an innovative theoretical approach to narrative analysis by drawing on Foucault's theory of power, Deleuze and Guattari's analytics of desire, and Cavarero's concept of the narratable self. Furthermore, it examines the use of letters as documents of life in narrative research and highlights the dynamics of spatiality in the constitution of the female self in art. This study brings together theoretical insights that emerge from the analysis of life documents---some of them previously unpublished---combining innovative research with specific methodological suggestions on doing narrative analysis.

"The most thoughtful integration of paintings and epistolary narrative that I know. Nomadic Narratives, Visual Forces shows how letters do more than depict the `real' painter; the analysis problematizes the relations between visual and written texts. Insights from the author's meticulous archival research with autobiographical materials engage dynamically with Gwen John's art work, resulting in a dialogic narrative about the complex subjectivity of a woman artist working in a male-dominated world. Drawing on contemporary theory, Maria Tamboukou offers a new analytic perspective on the relation between the visual and the epistolary, which will push the `narrative turn' in social research in exciting directions." Catherine Kohler Riessman, Boston College

Industry Reviews

The most thoughtful integration of paintings and epistolary narrative that I know. 'Nomadic Narratives, Visual Forces' shows how letters do more than depict the 'real' painter; the analysis problematizes the relations between visual and written texts. Insights from the author's meticulous archival research with autobiographical materials engage dynamically with Gwen John's art work, resulting in a dialogic narrative about the complex subjectivity of a woman artist working in a male-dominated world. Drawing on contemporary theory, Maria Tamboukou offers a new analytic perspective on the relation between the visual and the epistolary, which will push the 'narrative turn' in social research in exciting directions. (Catherine Kohler Riessman, Boston College)

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