Fiber

The 1960s saw a revolution in fiber art. Where once the focus was on knotting, twining, and coiling thread into works that were immediately recognizable, and therefore connected to utilitarian crafts, fiber artists of the later 20th-century began to experiment with abstract forms that were closer to sculpture than craft. Influenced by postmodernist ideas, these works are the product of experimentation with materials and technique while at the same time confronting important cultural issues. This book traces that development from the mid-twentiethcentury to the present. In the words of Bauhaus weaver Anni Albers, the expressive quality of fiber is essentially a "language of thread." That language is beautifully displayed in full-color spreads and individual illustrations in this book. Scholarly essays address the feminist movement of the 1970s; the expanded use of materials in the '80s and '90s; and the more recent employment of fiber as one more material in the creation of freestanding works. In addition to a section of full color illustrations, this book also includes profiles of all of the genre's most influential artists. AUTHOIR: Jenelle Porter is the Mannion Family Senior Curator at the Institute of Contemporary Art in Boston. She has written books on artists Charline von Heyl, Trisha Donnelly, Stephen Prina, Matthew Ritchie, and Uri Tzaig. This lavish book documents the developments in the field of fiber-related art over the past half century. Exhibition Itinerary: Institute of Contemporary Art, Boston October 1, 2014-January 5, 2015 Wexner Center for the Arts, Columbus January 30-April 5, 2015 Des Moines Art Center, Iowa May 2-August 2, 2015 Contemporary Arts Museum, Houston August 22-November 29, 2015 Published in association with the Institute of Contemporary Art, Boston. 180Colour illustrations