In using case studies such as Touching the Void (2003) and the films of Nick Broomfield, this timely introduction to the growing field of documentary explores the definition and understanding of the form, as well as the relationship between documentary and drama, specifically the notion of reconstruction and reenactment. Paul Ward also discusses animated documentaries, the fertile genre of comedy, and feature-length contemporary works that have achieved widespread cinematic release.
Industry Reviews
Documentary: The Margins of Reality stands on its own merits as a well-written,insightful and occasionally elegant study...it is certainly a welcome supplement, particularly on issues in contemporary documentary.
