Digital Tradition

Contents

List of illustrations Preface and acknowledgments Notes about language Map of Turkey

Part 1: A digital tradition of arrangement Chapter 1: Arrangement and engineering Arrangement and arrangers Engineering and engineers Social, technical, musical things Research methodology Chapter 2: Tradition Discourses of tradition and place Problems of place and identity Traditions of work

Part 2: Arranged histories and arrangement industries Chapter 3: Arranged folklore in early Republican Turkey The demand for folklore A source-resource model for analyzing derleme Folklore at the birth of the Republic Folklore institutions during the one-party era Folklore and mass-media in the multi-party era Musical practices of arrangement, cleaning and restoration Cultural geographies of village, town, city and nation Postscript: revisiting Altun Karahan Chapter 4: The Anatolian "ethnic" music industry The growth of Turkey's recorded music industry Industries and ortak-s Ethnic language politics and emerging markets University ensembles: Grup Yorum, Karde,s Türküler and Zu&ga,si Berepe Organizational and production networks: the role and legacy of Kalan Müzik Yapim Concerns with foreign perceptions Social networks and the nature of professions Negotiating outside actors

Part 3: The recording studio assemblage in Istanbul Chapter 5: The experience of studio work Auditory images and "visions" of the song arrangement Studio listening modalities and technologies of audition Latencies Built environments and social dynamics Chapter 6: Digital Hearing digital data, visualizing Anatolian soundings: synesthesia in the studio Digital audio, music, and non-musical sound Acoustic instruments and indirect computer users Chapter 7: Aesthetic keywords of the studio Introduction Denge/denk/denk gelmek: balance and suitability Fena de&gil and oldu galiba: the aesthetics of "not bad" when mixes happen Tav)ir, yorum and the art of interpretation Renk enstrümanlar)i Parlak and büyük ses Aesthetic relations

Part 4: Case studies in arranged music Chapter 8: Arranged music and the dönem filmi genre Analyzing film music and sound The d:onem filmi genre Vizontele (2001) and the formation of a new film music genre Beynelmilel (2006) and the problems of leitmotif Özlem Taner's "Kara Tren/ Seher :Inende" D:onem films as technological tragic comedies Chapter 9: Arranging the Black Sea Finding the Karadeniz G:okhan Birben, "Hele Mele" (on the outside) G:okhan Birben, "Denizde Dalga Birdur" (there's a wave in the ocean) Bizim Ya,sar Kabaosmano&glu, "Nenni Nenni" Fatih Ya,sar "Sirlarumi Söyledum" (I told my secrets to the smoke on the mountain) Fatih Ya,sar "Çiktum Yüksek Da&glara" (I headed up the high mountain) Ay,senur Kolivar, "Mavili E,sarbumi / Lafun Aykirisi" (Blue scarf / Against this nonsense) Chapter 10: Towards a methodology for the study of digital music production Methodological Implications Glossary Bibliography Mediagraphy (audio recordings, feature films, and TV shows) Index