Dead and Alive

An illuminating new essay collection from one of the most distinctive, exciting and acclaimed writers of her generation, Zadie Smith

Zadie Smith is a wonderful essayist. She is a natural. She writes as she thinks, and she thinks crisply and exactly Tessa Hadley, Guardian

In this keenly awaited new collection, Zadie Smith brings her unique skills as an essayist to bear on a range of subjects which have captured her attention in recent years.

She takes an exhilaratingly close look at artists Toyin Ojih Odutola, Kara Walker and Celia Paul. She invites us along to the movies, to see and to think about T r, and to Glastonbury to witness the ascendance of Stormzy. She takes us on a walk down Kilburn High Road in her beloved North West London and invites us to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth and Toni Morrison. She considers changes of government on both sides of the Atlantic and the meaning of the commons in all our lives.

Throughout this thrilling collection, Zadie Smith shows us once again her unrivalled ability to think through critically and humanely some of the most urgent preoccupations and tendencies of our troubled times.

About the Author

Zadie Smith was born in north-west London in 1975. She is the author of the novels White Teeth, The Autograph Man, On Beauty, NW and Swing Time, as well as The Embassy of Cambodia and the essay collection, Changing My Mind. She is also the editor of The Book of Other People, is a fellow of the Royal Society of Literature and has twice been listed as one of Granta's 20 Best Young British Novelists.

She has won the Orange Prize for Fiction, the Whitbread First Novel Award and the Guardian First Book Award among many others, and been shortlisted for the Man Booker Prize and the Baileys Women's Prize for Fiction. Zadie Smith is currently a tenured professor of fiction at New York University and a Member of the American Academy of Arts and Letters. She is a regular contributor to the New Yorker and the New York Review of Books.