| A Note on This Edition | p. xiii |
| Introduction | p. xv |
| Architecture, Painting, Literature | |
| Proust: The Eighteenth-Century Method | p. 5 |
| A Ghost of the Nineties | p. 8 |
| (On Essays) | p. 11 |
| (Proust and Best-Sellers) | p. 13 |
| (Godwin and Bailey) | p. 15 |
| (Balzac and Social History) | p. 18 |
| (Aristocracy and Literature) | p. 20 |
| (Alfieri) | p. 23 |
| (Bacon's Symbolism) | p. 26 |
| The Cry for a Messiah in the Arts | p. 28 |
| The Modern Spirit and a Family Party | p. 32 |
| Marie Laurencin: A Woman of Genius | p. 38 |
| A Film with a Warning | p. 40 |
| The Salzburg Festival | p. 46 |
| The Portraits of Augustus John | p. 50 |
| Royalty and a Caricature | p. 54 |
| Centenaries | p. 59 |
| On Re-reading Candide | p. 63 |
| Subject-Matter of Poetry | p. 66 |
| Water Music | p. 70 |
| Bibliophily | p. 73 |
| Accumulations | p. 75 |
| On Deviating into Sense | p. 77 |
| Polite Conversation | p. 80 |
| Nationality in Love | p. 84 |
| How the Days Draw In | p. 86 |
| Beauty in 1920 | p. 90 |
| Great Thoughts | p. 93 |
| Advertisements | p. 95 |
| Euphues Redivivus | p. 98 |
| The Author of Eminent Victorians | p. 101 |
| Edward Thomas | p. 104 |
| A Wordsworth Anthology | p. 107 |
| Verhaeren | p. 109 |
| Edward Lear | p. 112 |
| Sir Christopher Wren | p. 115 |
| Ben Jonson | p. 119 |
| Chaucer | p. 126 |
| How to Write a Tragedy | p. 139 |
| The Importance of the Comic Genius | p. 146 |
| A Ballet in the Modernist Manner | p. 150 |
| Fashions in Visual Imagery | p. 153 |
| Popular Literature | p. 157 |
| Art and Life | p. 161 |
| The Spread of Bad Art | p. 166 |
| What, Exactly, Is Modern? | p. 170 |
| Where Are the Movies Moving? | p. 174 |
| The Pleasant and the Unpleasant | p. 177 |
| Books for the Journey | p. 180 |
| Sabbioneta | p. 184 |
| Breughel | p. 190 |
| Rimini and Alberti | p. 199 |
| Conxolus | p. 205 |
| The Best Picture | p. 209 |
| The Pierian Spring | p. 215 |
| The Mystery of the Theater | p. 220 |
| Music | |
| Brahms | p. 227 |
| Busoni, Dr. Burney, and Others | p. 229 |
| The Interpreter and the Creator | p. 230 |
| Good-Popular Music | p. 232 |
| Instruction with Pleasure | p. 233 |
| Emotional Contributions | p. 235 |
| Light Opera and the New Stravinsky | p. 237 |
| The Mysteries of Music | p. 238 |
| Some Easter Music | p. 240 |
| Music and Machinery | p. 242 |
| Beethoven's Quartets | p. 243 |
| Singing and Things Sung | p. 245 |
| Patriotism and Criticism | p. 247 |
| The Criticism of Music | p. 249 |
| A Problem of Musical History | p. 252 |
| The Question of Form | p. 253 |
| Literary Music | p. 255 |
| A Few Complaints | p. 257 |
| Mr. Lawrence's Marchioness | p. 259 |
| Supplementing the Concerts | p. 261 |
| Orientalism in Music | p. 263 |
| Music in a Museum | p. 265 |
| Popular Tunes--Past and Present | p. 267 |
| Let Us Now Praise Famous Men | p. 269 |
| Thayer's Beethoven | p. 272 |
| The Salzburg Festival--I | p. 274 |
| The Salzburg Festival--II | p. 276 |
| The Salzburg Festival--III | p. 278 |
| Mozart at Salzburg | p. 280 |
| Popular Music in Italy | p. 282 |
| Some Very Young Music | p. 284 |
| Reflections in the Promenade | p. 286 |
| Busoni Again | p. 288 |
| Reflections in the Concert Room | p. 290 |
| New Friends and Old | p. 292 |
| Variations | p. 294 |
| Music and Politics | p. 295 |
| An Orlando Gibbons Concert | p. 297 |
| The Arnold Bax Concert | p. 299 |
| Temporaries and Eternals | p. 301 |
| Verdi and Palestrina | p. 303 |
| Round About Don Juan | p. 305 |
| Delius and the Nature-Emotion | p. 307 |
| Bad Music | p. 309 |
| Music in the Encyclopaedia | p. 311 |
| Going to the Opera | p. 313 |
| Handel, Polly, and Ourselves | p. 315 |
| Music Clubs | p. 316 |
| Cherubini--Emotion and Form | p. 318 |
| Madrigals and Program Music | p. 320 |
| The Hymn and the Dream | p. 321 |
| Barbarism in Music | p. 323 |
| Notes on a Pianist and on Pianos | p. 325 |
| A Mozart Program | p. 327 |
| Contemporaneousness | p. 329 |
| Bach and Handel | p. 332 |
| Books About Music | p. 334 |
| What Are the Wild Waves Saying? | p. 336 |
| Brahms's Birthday | p. 337 |
| Opera, Marionettes, and Battistini | p. 339 |
| Eclecticism | p. 341 |
| Music and the Interpretative Medium | p. 343 |
| Popular Music | p. 345 |
| History, Politics, Social Criticism | |
| Accidie | p. 351 |
| Pleasures | p. 354 |
| Modern Folk Poetry | p. 357 |
| Democratic Art | p. 361 |
| Follow My Leader | p. 364 |
| The Dangers of Work | p. 369 |
| On Not Being Up-to-Date | p. 372 |
| Fashions in Love | p. 375 |
| By Their Speech Ye Shall Know Them | p. 379 |
| The Importance of Being Nordic | p. 383 |
| The Horrors of Society | p. 388 |
| The Psychology of Suggestion | p. 391 |
| Talking of Monkeys | p. 394 |
| A Night at Pietramala | p. 399 |
| Work and Leisure | p. 410 |
| Travel | |
| Tibet | p. 419 |
| Why Not Stay at Home? | p. 421 |
| Wander-Birds | p. 426 |
| The Traveler's-Eye View | p. 430 |
| Guide-Books | p. 436 |
| Spectacles | p. 441 |
| The Country | p. 443 |
| Montesenario | p. 448 |
| Patinir's River | p. 450 |
| Portoferraio | p. 451 |
| The Palio at Siena | p. 453 |
| Views of Holland | p. 459 |
| Appendix | p. 465 |
| Index | p. 467 |
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