| List of Illustrations | p. 10 |
| Preface | p. 11 |
| Pretext | |
| Introduction as of November 1931 | p. 25 |
| Introduction as of May 1932 | p. 25 |
| Prunieres | p. 26 |
| Hale's editorial, Mr. Slonimsky in Paris | p. 28 |
| Henderson | p. 30 |
| Europeanism, review of The Celestial Country | p. 32 |
| Scrapbook | |
| Introduction | p. 35 |
| Bellamann's article, earlier songs | p. 36 |
| Earlier pieces, Thanksgiving Prelude and Postlude | p. 38 |
| College marches, etc., ear stretching | p. 39 |
| Piano-drum-playing, wide-interval lines | p. 42 |
| Father | p. 44 |
| Parker, "fundamental laws" | p. 48 |
| First Symphony | p. 51 |
| Second Symphony, spirituals and gospel hymns | p. 51 |
| Third Symphony | p. 55 |
| Set for Theater or Chamber Orchestra | p. 55 |
| Other sets | p. 59 |
| Take-offs, etc. | p. 61 |
| Fourth Symphony | p. 64 |
| First Violin Sonata [called the Pre-First] | p. 67 |
| Second Violin Sonata (called the First) | p. 68 |
| Third Violin Sonata (called the Second) | p. 69 |
| Fourth Violin Sonata (called the Third) | p. 69 |
| Fifth Violin Sonata (called the Fourth) | p. 72 |
| Second String Quartet [called the Pre-Second] | p. 73 |
| A better Second String Quartet | p. 73 |
| First Piano Sonata | p. 74 |
| Men of Literature Overtures, labels | p. 76 |
| Second Piano Sonata: "Concord, Mass., 1840-60" | p. 79 |
| First Orchestral Set: "Three Places in New England" | p. 83 |
| Halloween, "workmanship" | p. 90 |
| Second Orchestral Set | p. 91 |
| Holidays Symphony, Thanksgiving | p. 94 |
| Washington's Birthday, In re con moto et al | p. 96 |
| Decoration Day | p. 101 |
| The Fourth of July, The General Slocum | p. 104 |
| A Universe Symphony | p. 106 |
| Quarter-tone and microtone systems | p. 108 |
| Three Quarter-Tone Pieces for Two Pianos | p. 110 |
| Later music | p. 112 |
| Memories | |
| Introduction | p. 114 |
| My father and my wife | p. 114 |
| Parker | p. 115 |
| Griggs | p. 116 |
| Talmadge | p. 118 |
| Soft-ears | p. 118 |
| Rhythm, combining different rhythms | p. 123 |
| Being "good" and being "mean" | p. 126 |
| Songs without voice | p. 127 |
| Church congregations and church music | p. 128 |
| Music and business | p. 130 |
| Gospel hymns | p. 131 |
| Emasculating America for money | p. 133 |
| Concert-going and not-going | p. 136 |
| Words of one syllable | p. 140 |
| Appendices | |
| Extant leaves of the Memos, concordance with the Cowell book | p. 143 |
| Ives's earlier Lists of Works (1929-35) | p. 147 |
| Ives's later Lists of Works (1937-50) | p. 152 |
| The 114 Songs and their reprints | p. 167 |
| Ives's note on the 67th Psalm | p. 178 |
| Ives's scholastic record (1894-98), Chadwick's visit to Parker's class (1898), and the footnote to Ich grolle nicht | p. 180 |
| Memos about the Concord Sonata (1913-29) | p. 185 |
| Questionnaires about the Concord Sonata (1935) | p. 198 |
| George's Adventure and The Majority (1919) | p. 205 |
| Broadway (1922) | p. 229 |
| Letter to John Tasker Howard (1930) | p. 236 |
| Ode to a Music Critic | p. 242 |
| George Edward Ives (1845-1894) and his family | p. 245 |
| Henry Anderson Brooks (c. 1855-1906?) | p. 250 |
| John Cornelius Griggs (1865-1932) | p. 253 |
| Joseph Hopkins Twichell (1838-1918) | p. 259 |
| Poverty Flat, 1898-1908 | p. 262 |
| Julian Southall Myrick (1880-1969) | p. 268 |
| Harmony Twichell (1876-1969) | p. 274 |
| Major John Andre by Lyman Brewster (1832-1904) | p. 281 |
| The Red Patrol by Sir Gilbert Parker (1862-1932) | p. 318 |
| Chronological Index of Dates | p. 325 |
| Index of Ives's Music and Writings | p. 338 |
| Index of Names | p. 344 |
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