An Actor's Handbook

An Alphabetical Arrangement of Concise Statements on Aspects of Acting

By: Constantin Stanislavski

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Paperback | 1 August 2006 | Edition Number 1

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164 Pages

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20.2 x 12.4 x 1.0

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"I have felt there was nothing for me to do except to devote my labour and energy almost exclusively to the study of Creative Nature...I have acquired a sum of experience in the course of long years of work and this is what I have sought to share with you." (Stanislavski)

Here in concise form is what Stanislavski said about acting, alphabetically arranged to aid students, professionals and lay people interested in the stage craft. These collected short statements on a variety of subjects cannot replace the full expression of Stanislavski's ideas and discoveries in his other books, but they will serve to refresh the reader's memory and pinpoint what Stanislavski has to offer enquiring minds both in and out of the theatre.

About the Author

Constantin Stanislavski (1863-1938) was a Russian director who sought 'inner realism' by insisting that his actors find the truth within themselves and 'become' the characters they portrayed. His work brought international fame to the Moscow Art Theatre, which he had co-founded with Vladimir Nemirovich-Danchenko in 1897.

During his early years at the Moscow Art Theatre, he directed the first productions of Chekhov's Uncle Vanya (1899), Three Sisters (1901) and The Cherry Orchard (1904) as well as a series of celebrated versions of Shakespeare. Stanislavski toured America with the company in 1923. After World War II, the US edition of Stanislavski's treatise An Actor Prepares (1926) became a bible of the Method school of acting.

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