âGlimmers in anticipation of Hrabalâs later virtuosity.â
â"New Yorker
âA collection of formative fiction from a writer whose work has earned comparison with Joyce and Beckett. . . . Early work from a writer who merits a larger readership.â
â"Kirkus Reviews
This collection of the earliest prose by one of literatureâs greatest stylists captures, as scholar Arnault Mar©chal put it, âthe moment when Hrabal discovered the magic of writing.â Taken from the period when Bohumil Hrabal shifted his focus from poetry to prose, these storiesâ"many written in school notebooks, typed and read aloud to friends, or published in samizdatâ"often showcase raw experiments in style that would define his later works. Others intriguingly utilize forms the author would never pursue again. Featuring the first appearance of key figures from Hrabalâs later writings, such as his real-life Uncle Pepin, who would become a character in his later fiction and is credited here as a coauthor of one piece, the book also contains stories that Hrabal would go on to cannibalize for some of his most famous novels. All together, Why I Write? offers readers the chance to explore this important nascent phase of Hrabalâs writing.
Expertly interpreted by award-winning Hrabal translator David Short, this collection comprises some of the last remaining prose works by Hrabal to be translated into English. A treasure trove for Hrabal devotees, Why I Write? allows us to see clearly why this great prose master was, as described by Czech writer and publisher Josef Å kvoreck½, âfundamentally a lyrical poet.â
Industry Reviews
"Our very best writer today."--Milan Kundera, author of "The Unbearable Lightness of Being" "Guardian " "Hrabal's peculiar strength is his ability to entertain the simplest reader and yet be admired by the most intellectual of intellectuals."--Josef Skvoreck , author of "The Engineer of Human Souls" "Arguably the best prose stylist of the twentieth century."--Words Without Borders "One of the great prose stylists of the twentieth century; the scourge of state censors; the gregarious bar hound and lover of gossip, beer, cats and women (in roughly that order). . . . In Hrabal's work beauty, pity, sorrow and high silliness come tightly braided."--Parul Sehgal "New York Times Book Review " "A great writer."--James Wood "London Review of Books "