Wheelhouse

- Contributing Art Critic William Zimmer for The New York Times

"In creating his unique monoprints, Singer exploits mathematical visualization programs to produce imagery that runs the gamut of cosmic considerations bordering on mysticism, unabashed playfulness, and psychological responses to current events. His print work straddles fantastical and tangible worlds. But he still has one foot planted firmly in the analog practice of painting, conjoining different methods of visualizing physical and psychological phenomena."

- by Rebecca Rafferty for Artvoices Magazine

"Welcome to Alan Singer's digital world, where math is made visual and where the potent combination of equations and imagination blurs the boundaries of dimensionality, unhinges point of view, and forces us to use our eyes in new ways. Here, shadows are cast by numbers, and the brightest reflections may be created long after dark at the artist's computer."

- By Anne C. Coon Professor Emeritus in the College of Liberal Arts at Rochester Institute of Technology