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Two Countries - Katrina Porteous

Two Countries

By: Katrina Porteous

Paperback | 23 October 2014

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Two Countries is a book of poems about place: about landscape, community, and the shifting, provisional relations between them. Born in Scotland, Katrina Porteous grew up in North-East England. These poems explore the ambiguities of borderlands, from the Roman Wall to the present-day Anglo-Scottish Border, and the 'debatable lands' between tradition and modernity, real and ideal, country and town, 'nature' and 'culture'. Katrina Porteous's poetry reaches far beyond the local. Two Countries is organised around a selection of her radio work, poems of many voices, drawing on Border Ballad and Northumbrian story-telling and song, and often rooted in direct oral testimony. Among the most remarkable are the dialect voices of Northumbrian fishermen, and the words of hill farmers caught up in the 2001 foot-and-mouth epidemic. The poems of Two Countries are meant to be heard out loud. An ebook with audio is published simultaneously with the print edition. Since her first collection, The Lost Music (1996), Katrina Porteous has collaborated widely with artists and musicians. Much of her work has been for BBC radio, notably with producer Julian May, who describes her as 'extending the boundaries of the genre'.
Industry Reviews
'A writer chronicling the life of the land through the stories of its marginalised people' - Alan Franks, The Times. 'Porteous is a highly sophisticated writer, which is what carries her work beyond folkloric nostalgia. To be as alert to tradition as she is requires her to be, paradoxically, utterly modern; which in turn, given her talents (in particular, very few poets can match her ear), makes her an important poet not just regionally but as an advocate of her adopted language to a larger literary readership' - Sean O'Brien, Northern Review. 'History as lifeblood - not as ghosts, but as part of the earth and of us' - Julia Copus. 'Katrina Porteous - celebrates what springs up, unbeautiful, between the cracks left by the post-industrial landscapes of the Northeast, celebrates the endurance of rocks and plant life...and implicitly, too, the survival of human beings as cultures and traditions struggle with change' - Pippa Little, Writing Women. 'She writes a kind of poetry that is regrettably becoming rare, a poetry with accurately observed natural furnishings, a freshness and clarity of language, each poem with its own tune' - Vernon Scannell, Daily Telegraph.

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