Sometimes you need to delve into the past, to make sense of the present
Alice had not expected to spend most of the twenty-first century writing about Leonard Woolf. When she stood on Morell Bridge watching fireworks explode from the rooftops of Melbourne at the start of a new millennium, she had only two thoughts. One was: the fireworks are better in Sydney. The other was: is Y2K going to be a thing? Y2K was not a thing. But there were worse disasters to come: Environmental collapse. The return of fascism. Wars. A sexual reckoning. A plague.
Uncertain of what to do she picks up an unfinished project and finds herself trapped with the ghosts of writers past. What began as a novel about a member of the Bloomsbury Set, colonial administrator, publisher and husband of one the most famous English writers of the last hundred years becomes something else altogether.
Complex, heartfelt, darkly funny and deeply moving, this is Sophie Cunningham’s most important book to date – a dazzlingly original novel about what it’s like to live through a time that feels like the end of days, and how we can find comfort and answers in the past.?
About the Author
Sophie Cunningham AM is the author of seven books, across multiple fiction and nonfiction, children and adults and include City of Trees – Essays on life, death and the need for a forest, and Melbourne. She is also editor of the collection Fire, Flood, Plague: Australian writers respond to 2020.
Sophie’s former roles include as a book publisher and editor, chair of the Literature Board of the Australia Council, editor of the literary journal Meanjin, and co-founder of The Stella Prize celebrating women’s writing. She is now an adjunct professor at RMIT University’s non/fiction Lab. In 2019, Sophie was made a Member of the Order of Australia for her contributions to literature.
Industry Reviews
'This Devastating Fever is remarkable: a thrillingly original, deeply emotional exploration of the complex echoes of history set in the shadow of the looming catastrophe of the future. Sinuous, strange, utterly compelling, it is like no other book you'll read this year.' -- James Bradley, author of Ghost Species and The Resurrectionist
'Brilliant and unlike anything I've ever read before. It draws on archived letters and diary entries and the edges of what is real and what is imagined are delightfully blurred. It's sharply layered, clever and darkly, dryly hilarious.' -- Eliza Henry-Jones, author of Salt and Skin and In the Quiet
'A book of big ideas that reads as a page turner. I was thrilled to keep returning to the page.' -- Kate Mildenhall, author of Skylarking and The Mother Fault
'This Devastating Fever contains the joy and pain and terror of caring deeply for another living thing: whether a loved one whose mind is failing, or cicadas destined to be incinerated in the Black Summer fires. It is also about the need to read carefully, write carefully, and think carefully - about the past and how we respond to it, and about what we owe the dead, the living, and the future.' * The Conversation *
'This Devastating Fever feels a bit like a blast from the past and in the best way possible.' * The Urban List *
'I can honestly say this isn't like any book I have ever read before, yet couldn't put down.' * RUSSH *
'This Devastating Fever is an extraordinary achievement.' * Kill Your Darlings *