John Lanchester's long-awaited new novel - an hypnotic dystopian novel exploring the most compelling issues of our time.
Kavanagh begins his life patrolling the Wall. If he's lucky, if nothing goes wrong, he only has two years of this, 729 more nights.
The best thing that can happen is that he survives and gets off the Wall and never has to spend another day of his life anywhere near it. He longs for this to be over; longs to be somewhere else.
He will soon find out what Defenders do and who the Others are. Along with the rest of his squad, he will endure cold and fear day after day, night after night. But somewhere, in the dark cave of his mind, he thinks: wouldn't it be interesting if something did happen, if they came, if you had to fight for your life?
John Lanchester's thrilling, hypnotic new novel is about why the young are right to hate the old. It's about a broken world you will recognise as your own - and about what might be found when all is lost.
About the Author
John Lanchester is a contributing editor to the London Review of Books and a regular contributor to the New Yorker. He has written four novels, The Debt to Pleasure, Mr Phillips, Fragrant Harbour and Capital, and three works of non-fiction: Family Romance, a memoir; and Whoops!: Why everyone owes everyone and no one can pay, about the global financial crisis and How to Speak Money, a primer in popular economics. His books have won the Hawthornden Prize, the Whitbread First Novel Prize, E.M Forster Award, and the Premi Llibreter, been longlisted for the Booker Prize, and been translated into twenty-five languages.
'As the details start to appear through the mist, the premise of Lanchester's novel emerges from the vagaries of fantastical allegory into something far more sinister. This is, in fact, Britain, but one whose global stance has descended into isolationist paranoia … The Wall, however, wears its polemic lightly; what we get instead is a gripping and gory novel about that first new recruit … Lanchester writes lyrically about the attractions of camaraderie, and how they teeter on conformity; he also, when he needs to, does a very absorbing fight scene, with the action reaching exhilarating heights in the final third of the book (if the film or TV rights haven't already been bought, consider this a tip-off).
'But mostly what we're left with is a question: how much of our humanity can we preserve once we accept a society driven by fear? We may not have to wait long to find out.'