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The Space Between the Notes : Rock and the Counter-Culture - Sheila Whiteley

The Space Between the Notes

Rock and the Counter-Culture

By: Sheila Whiteley

eText | 2 September 2003 | Edition Number 1

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The Space Between the Notes examines a series of relationships central to sixties counter-culture: psychedelic coding and rock music, the Rolling Stones and Charles Manson, the Beatles and the `Summers of love', Jimi Hendrix and hallucinogenics, Pink Floyd and space rock. Sheila Whiteley combines musicology and socio-cultural analysis to illuminate this terrain, illustrating her argument with key recordings of the time: Cream's She Walks Like a Bearded Rainbow, Hendrix's Hey Joe, Pink Floyd's Set the Controls For the Heat of the Sun, The Move's I Can Hear the Grass Grow, among others.
The appropriation of progressive rock by young urban dance bands in the 1990s make this study of sixties and seventies counter-culture a timely intervention. It will inform students of popular music and culture, and spark off recognition and interest from those that lived through the period as well as a new generation that draw inspiration from its iconography and sensibilities today.

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Non-FictionLanguage & LinguisticsSociety & CultureMedia StudiesReference, Information & Interdisciplinary SubjectsInterdisciplinary StudiesCommunication StudiesArts & EntertainmentGeneral Issues in ArtCultural StudiesHistory of Art & Design StylesSociology & Anthropology
AnthropologySocial & Cultural Anthropology, EthnographyHistoryMusicMusic Styles & GenresPopular Music

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Hardcover

Published: 9th April 1992

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