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The Sellout : WINNER OF THE MAN BOOKER PRIZE 2016 - Paul Beatty

The Sellout

WINNER OF THE MAN BOOKER PRIZE 2016

Paperback Published: 15th May 2017
ISBN: 9781786071460
Number Of Pages: 304

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A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality, the black Chinese restaurant.

Born in the "agrarian ghetto" of Dickens on the southern outskirts of Los Angeles, the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral.

Fuelled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident, the last surviving Little Rascal Hominy Jenkins, he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

About the Author

Paul Beatty is the author of two novels, Tuff and The White Boy Shuffle, and two books of poetry, Big Bank Take Little Bank and Joker, Joker, Deuce. He was the editor of Hokum: An Anthology of African-American Humour. He lives in New York City.

WRITE A REVIEW

Very entertaining

4

The Sellout is the fourth novel by award-winning American author, Paul Beatty. It won the Man Booker Prize in 2016. Our narrator is the son of a psychologist by the name of Mee (who has dropped the second "e"). Until his untimely and unfortunate death at the hands of the Los Angeles Police, his father was known as the N!gger Whisper for his ability to talk down coloured folk attempting suicide, a role that has been thrust upon the narrator by default. Since his father's death, he manages their farm in a suburban area of LA once known as the City of Dickens. A talented farmer, he grows, among other cash crops, square watermelons and pot, and his uniquely delicious produce is very popular locally. In the prologue, we find him summoned to appear before the Supreme Court of USA on charges of racial segregation and slavery. Although our narrator's name is never mentioned, he is referred to by one character as The Sellout, and bears the nickname Bonbon from his performance in a school spelling bee. Beatty gives the reader a cast of quirky characters that includes a former child-actor, the Assistant Principal of the Chaff Middle School, a female bus driver and a has-been TV personality who rewrites classic texts into blackly correct books. A former city is re-established via Freeway signs and a three-inch-wide white painted border. Meetings of the Dum Dum Donuts Intellectuals are the forum for black ideas and our protagonist employs a sort of reverse psychology that ends up in a resegregation push. He also provides novel take on blackface entertainment. One World have produced editions of Beatty's four novel with themed covers and this one has a lawn jockey with a gas lamp on the cover, the significance of which becomes clear in the text. This satire has been described as brilliant, outrageous, demented, hilarious and profound, all succinct and accurate descriptors. Very entertaining.

Thirroul

true

The Sellout

4.0 1

100.0

`A no-holds-barred satire about the history and legacy of racism in America'. * Guardian, Best Books of the Year *
`A book of coruscating satire and the darkest humour whose bilious narrative voice leaves you at once enthralled and exhausted'. * Observer, Best Books of 2016 *
`One of the few books of recent years that has made me choke with laughter'. * Daily Mail, Best Books of 2016 *
`A provocative, razor-sharp satire'. * Mail on Sunday, Best Books of 2016 *
`Wow, the Man-Bookers got it right! Nothing is harder to write or easier to read than a full-on comic-philosophic novel that makes you laugh and think, sometimes at the same time. Nathanael West and Joseph Heller are hooting from heaven for this one. If you haven't already read Paul Beatty's The Sellout, your life is more meagre for the omission'. -- Simon Schama * Financial Times, Best Books of 2016 *
`A deeply ironic, comically inventive and sometimes very sad novel'. -- Lorien Kite * Financial Times, Best Books of 2016 *
`[An] outrageous scattergun satire'. * Telegraph, Books of the Year *
`A hilarious, anger-fuelled cadenza that feels as if it were written in one manic burst'. -- Mark Haddon * Observer, Best Books of 2016 *
`Bitterly funny and finely layered...[The Sellout] seems even more essential after the racially demarcated "whitelash" of Donald Trump's victory.' * Tom Gatti, New Statesman, Books of the Year 2016 *
`I was banned from reading in bed because I was laughing so much.' * Olivia Williams, Man Booker Judge 2016 *
`Brilliant. Amazing. Like demented angels wrote it.' * Sarah Silverman *
`A timely satire as well as a hugely entertaining and memorable novel'. * Independent *
`A sharp satire of contemporary America and an irreverent but poignant take on the country's racial tensions'. * The Lady *
`There is so much to enjoy in this profane battering-ram of a novel'. * New Books *
`Dazzling...vital and vigorous'. * Bay Books *
`A breathtakingly confrontational American race satire with a big laugh and a gasp on every page'. -- Peter Bradshaw * Guardian *
'This brilliant satire on racial politics in the US is at once timely, hilarious and outstanding'. -- Robert McCrum * Observer *
`One of the most astute pieces of satire to have discussed the heightened racial tension in the USA in recent years...one of the most compelling and funny pieces of politically relevant fiction seen for some time'. * Country Life *
`[A] whip-smart, gag-happy assault on modern American race relations'. * Metro *
`A compelling act of demonstrative rhetoric, a masterful show of verbal energy that questions just how far equality has come and where it hopes to go'. * New Statesman *
`Beatty is an original and irreverent talent.' * The Times *
`Paul Beatty's blistering The Sellout shares DNA with the work of Swift, as well as possessing some of the savagery of Wyndham Lewis, and the single-minded absurdity of Myles na gCopaleen.' * Jon Day, Man Booker Judge 2016 *
`There's satire and then there's satire, and without question Paul Beatty's caustic third novel, The Sellout, definitely falls into the latter category...Brutally honest and very funny.' * Independent *
`An outrageous scattergun satire taking aim at racism and what racism has done to black Americans...The Sellout aims to do for race relations what Joseph Heller's Catch-22 - a favourite novel of Beatty's - did for the Second World War...Beatty's sharp humour challenges pieties from all sides, while never losing sight of the fundamental issue: America's racism and the legacy of slavery. Intelligent and entertaining.' * Telegraph *
`Not for the faint-hearted.' * Daily Mail *
`Both riotously experimental and touching...erudite...and viscerally engaging...Exceptional comic writing makes the skeletal plotting work...Beatty's inspiring new novel about the impossibility of "post-racial" anything in America is much more than "scathing" - it is constructive.' * Times Literary Supplement *
`There's satire and then there's satire, and without question Paul Beatty's caustic third novel, The Sellout, definitely falls into the latter category...brutally honest and very funny'. * Independent *
`Both riotously experimental and touching...erudite...and viscerally engaging...Exceptional comic writing makes the skeletal plotting work...Beatty's inspiring new novel about the impossibility of "post-racial" anything in America is much more than "scathing" - it is constructive'. * Times Literary Supplement *
`Beatty's sharp humour challenges pieties from all sides...Intelligent...entertaining...exhilarating'. * Daily Telegraph *
`Beatty is an original and irreverent talent'. * Times *
`The longer you stare at Beatty's pages, the smarter you'll get.' * Guardian *
`[A] howl-a-passage assault on the pieties of race debates in America...outrageous, hilarious and profound...It takes a whole other level of sheer audacity to expose atrocious things through the play of wit. Beatty plays for high stakes - but he wins. His brilliant, beautiful and weirdly poignant book knocks the stuffing out of right-thinking solemnities and he delivers droll wisdoms besides which the most elevated rants...pale into ponderous sententiousness...Juiciness stains every lovely page of Beatty's mad, marvellous, toothsome book.' -- Simon Schama * Financial Times *
'[An] outrageous, riff-strewn satire on race in America...[The Sellout] combines effervescent comedy and stinging critique, but its most arresting quality is the lively humanity of its char-acters.' * The New Yorker *
`Hilariously caustic.' * Rolling Stone *
`Scarysmart...A hell of a ride.' * Newsweek *
`[The Sellout] is among the most important and difficult American novels written in the 21st century...It is a bruising novel that readers will likely never forget.' * Los Angeles Times *
'I am glad that I read this insane book alone, with no one watch-ing, because I fell apart with envy, hysterics, and flat-out awe. Is there a more fiercely brilliant and scathingly hilarious American novelist than Paul Beatty?' * Ben Marcus, author of The Flame Alphabet *
`Let's get this out of the way: The Sellout is a work of genius, a satirical opus on race in 21st-century America.' * O, The Oprah Magazine *
'`[The Sellout] may end up being the smartest, funniest, and most important novel of 2016.' * Flavorwire *
`Had we been granted a chunk of pages in this magazine to extol the virtues of Paul Beatty's uproarious new novel, The Sellout, we could've easily and gladly filled them - much as Beatty floods his 288-page racial satire with blistering comic flourishes.' * Penthouse *
`The Sellout isn't just one of the most hilarious American novels in years, it also might be the first truly great satirical novel of the century...[It] is a comic masterpiece, but it's much more than just that-it's one of the smartest and most honest reflections on race and identity in America in a very long time.' * NPR.org *
`Beatty creates a wicked satire that pokes fun at all that is sacred to life in the United States...His story is full of the unexpected, resulting in absurd and hilarious drama.' * Library Journal *
'As Mark Twain so ably showed us, America...is rich with mate-rial worthy of ridicule. But where is today's Twain? The answer is Paul Beatty...Beatty has written a wild new book, an uproar-iously funny, deliciously profane and ferociously intelligent send-up of so much of our culture.' * San Francisco Chronicle *
'An exuberant parade of forbidden words and twisted stereo-types...It's incendiary fun with very serious undertones.' * New York magazine, "Vulture" blog *
`Timely, phantasmagoric, and deliriously funny.' * Barnes & Noble Review *
'[An] audacious, diabolical trickster-god of a novel...[A] damn-near-instant classic.' * Bookforum *
`Beatty is funny as hell...Behind all the humor, however, Beatty asks important questions about racism and identity. The Sellout is a knock-out punch.' * Shelf Awareness *
`[Beatty] is back with his most penetratingly satirical novel yet ...[A] daring, razor-sharp novel from a writer with talent to burn.' * Kirkus *
`Beatty, author of the deservedly highly praised The White Boy Shuffle (1996), here outdoes himself and possibly everybody else in a send-up of race, popular culture, and politics in today's America . . . Beatty hits on all cylinders in a darkly funny, dead-on-target, elegantly written satire . . . [The Sellout] is frequently laugh-out-loud funny and, in the way of the great ones, profoundly thought provoking. A major contribution.' * Booklist (starred review) *
`Paul Beatty has always been one of smartest, funniest, gutsiest writers in America, but The Sellout sets a new standard. It's a spectacular explosion of comic daring, cultural provocation, brilliant, hilarious prose, and genuine heart.' * Sam Lipsyte, author of The Ask *
`A brutally fun read, but don't misunderstand it as unserious...Beatty delivers brilliant humour with a caustic bite, and parts can be uncomfortable to sit through...But it was unlike anything else I'd read before, at once side-splitting and thought-provoking. It's a book that forcibly ejects you out of your comfort zone, and once you're there, you're going to want to linger a while.' * The Atlantic *
`It will make you laugh, but most of all it will make you think.' * Sunday Times *
`Beatty's towering talent proves there's no subject, no matter how infuriatingly unjust, how outrageously sorrowful, which can't be made to glitter like gold in the hands of a brilliant writer.' * Big Issue *
`Beatty impresses hugely in this mischievous and caustic satire, which buzzes with inventiveness and iconoclasm.' * Sunday Herald *
`Beatty takes very little entirely seriously in this zany, irreverent take on racial politics in America today.' * Shiny New Books *
`[The Sellout] is the most lacerating American satire in years, fearless in the way that it takes apart our sacred cows and shared delusions. It responds to America's tortured relationship with race in the past and the present with the mockery it deserves, sprinkling jokes steeped in tragedy throughout.' * Guardian *
`The first 100 pages of [Paul Beatty's] new novel, The Sellout, are the most caustic and the most badass first 100 pages of an American novel I've read in at least a decade. I gave up underlin-ing the killer bits because my arm began to hurt...The riffs don't stop coming in this landmark and deeply aware comic novel...[It] puts you down in a place that's miles from where it picked you up.' * Dwight Garner, New York Times *
`Swiftian satire of the highest order...Giddy, scathing and dazzling.' * Wall Street Journal *

ISBN: 9781786071460
ISBN-10: 1786071460
Audience: BAG
Format: Paperback
Language: English
Number Of Pages: 304
Published: 15th May 2017
Publisher: Oneworld Publications
Country of Publication: GB
Dimensions (cm): 19.7 x 12.9  x 2.3
Weight (kg): 0.29

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