The Routledge Companion to Indigenous Art Histories in the United States and Canada

Introduction: The Path Before Us: Generating and Foregrounding Indigenous Art Theory and Method SECTION I Sovereignty and Futurity 1. Art, Visual Sovereignty and Pushing Perceptions; 2. Dancing Sovereignty: Reclaiming the Grease Trail Through Protocol, Movement, and Song 3. Shifting the Paradigm of Art History A Multi-sited Indigenous Approach 4. An Inuit Approach to Archival Work Based on Respect and Adaptability 5. Overclock Our Imagination!: Mapping the Indigenous Future Imaginary 6. A Manifesto of Close Encounters SECTION II Kinship, Care, Relationality 7. Kitchen Tables and Beads: Space and Gesture in Contemplative and Creative Research 8. Expanding Relationships: Beyond the Non 9. Wisdom in Beauty: Respect in Indigenous Curation 10. Balancing Curatorial Indigenous and Queer Belonging: In Conversation with Artist and Curator Adrian Stimson (Blackfoot Siksika Nation) 11. Taking Good Care: Collaborative Curating and the Alberni Indian Residential School Art Collection 12. Betraying the Object: Relational Anxieties and Bureaucratic Care in Indigenous Collections Research 13. A Brief Conversation on Visiting, Mentoring, The Land, and Art History SECTION III Indigenous Ways of Knowing and Being 14. miýikosiwin: Spirit, Land and Form Among Turtle Island's Indigenous Artists, Designers and Architects 15. Indigenous Curation in LA: The People's Home: Winston Street 1974 16. The Giving Tree: Methodologies of Generosity 17. Frontrunners as an Exploration of Indigenous Littoral Curation 18. A:Shiwi Art History: The Strength of Pueblo Place 19. Inuit Research Methodologies: Conversations Toward Reclaiming Inuit Protocols with Robert Comeau 20. A Braided Process: Decolonizing, Indigenizing, and Self-Determination 21. There are No Metaphors: A Proposal for Dreaming Indigenous Philosophies into Studio Arts Education SECTION IV Anti-colonial Practices 22. From Colonial Trophy Case to Non-Colonial Keeping House 23. An Ethic of Decolonial Questioning: Exercising the Quadruple Turn in the Arts and Culture Sector 24. Unsettling Artistic Expectations With Two-eyed Seeing 25. Decolonizing Representation: Ontological Transformations Through Re-mediation of Indigenous Representation in Popular Culture and Indigenous Interventions 26. Care Full Discomfort: Engaged Decolonial Practice, People and Admin 27. Telling the Stories of Objects in Museum Collections: Some Thoughts and Approaches 28. Art Racism to Indigenography Methodology 29. A Glossary of Insistence SECTION V Stories, Living Knowledges, Continuity and Resurgence 30. Writing and Sharing Our Art Histories: Storying Histories of Art: Activating the Visual 31. Bringing Stories to Sites at Shore Lunch Clarkson/Mississauga 32. "The Words You Choose are Purposeful": On Inuit Writing and Editing 33. Beyond Queer Survivance 34. Indigenous Abstraction: A Vehicle for Visioning 35. Alaska Native Artistic Reclamation and the Persistence of Indigenous Aesthetics 36. Foregrounding Pivalliatitsinik/Piggautigijaunikkut: Indigenous Mentorship in Creative Spaces