The Nickel Boys is Colson Whitehead's follow-up to the Pulitzer Prize- and National Book Award-winning bestseller The Underground Railroad, in which he dramatizes another strand of United States history, this time through the story of two boys sentenced to a stretch in a hellish reform school in Jim-Crow-era Florida.
Elwood Curtis has taken the words of Dr Martin Luther King to heart: he is as good as anyone. Abandoned by his parents, brought up by his loving, strict and clearsighted grandmother, Elwood is about to enroll in the local black college. But given the time and the place, one innocent mistake is enough to destroy his future, and so Elwood arrives at The Nickel Academy, which claims to provide 'physical, intellectual and moral training' which will equip its inmates to become 'honorable and honest men'.
In reality, the Nickel Academy is a chamber of horrors, where physical, emotional and sexual abuse is rife, where corrupt officials and tradesmen do a brisk trade in supplies intended for the school, and where any boy who resists is likely to disappear 'out back'. Stunned to find himself in this vicious environment, Elwood tries to hold on to Dr King's ringing assertion, 'Throw us in jail, and we will still love you.' But Elwood's fellow inmate and new friend Turner thinks Elwood is naive and worse; the world is crooked, and the only way to survive is to emulate the cruelty and cynicism of their oppressors.
The tension between Elwood's idealism and Turner's skepticism leads to a decision which will have decades-long repercussions. Based on the history of a real reform school in Florida that operated for one hundred and eleven years and warped and destroyed the lives of thousands of children, The Nickel Boys is a devastating, driven narrative by a great American novelist whose work is essential to understanding the current reality of the United States.
About the Author
Colson Whitehead is the Sunday Times bestselling author of The Underground Railroad, The Noble Hustle, Zone One, Sag Harbor, The Intuitionist, John Henry Days, Apex Hides the Hurt, and one collection of essays, The Colossus of New York. A Pulitzer Prize winner and a recipient of MacArthur and Guggenheim fellowships, he lives in New York City.
If greatness is excellence sustained over time, then without question, Whitehead is one of the greatest of his generation. In fact, figuring his age, acclaim, productivity and consistency, he is one of the greatest American writers alive * Time *
The narration is disciplined . . . Every chapter hits its marks . . . Whitehead comports himself with gravity and care, the steward of painful, suppressed histories * New York Times *
[The Nickel Boys] has the hot breath of a true story. It also has a beautiful, unforgettable young hero who walks right off the page into your heart . . . If you have been thinking you should read Colson Whitehead, The Nickel Boys is the perfect place to start * Newsweek *
Not a moment is wasted, and for someone who writes as vividly as Whitehead, there's also a graceful economy here. He uses words carefully, as if he doesn't want them to get in the way of the truths he's excavating * Boston Globe *
In this writer's powerful reckoning, those who enable historical amnesia are accessories to the crimes against humanity whose erasure they facilitate . . . A writer like Whitehead, who challenges the complacent assumption that we even fathom what happened in our past, has rarely seemed more essential -- Frank Rich * New York Times Book Review *
Whitehead has learned a thing or two about the craft of fiction. There's hardly a spare word in this book . . . Whitehead has a talent for creating ambiguous, complex scenes that fix in your memory. The Nickel Boys feels like a necessary fictional project, writing the blank or buried pages of US history; and it's done with virtuosity * Evening Standard *
A masterful piece of very human storytelling -- Nikesh Shukla * i *
if there's a more powerful novel this year, I'd be very surprised * Reader's Digest *
[Whitehead] has produced yet another modern classic . . . He's also adept at creating characters of unforgettable flesh-and-blood immediacy, with even the swiftest pen portrait conveying the full weight of a lived history. Quietly and purposefully heartbreaking in its portrayal of the lifelong legacy of abuse, it is quite outstanding -- Stephanie Cross * Daily Mail *
Forceful and tightly wrought . . . Whitehead homes in on the way in which every action fits into a fully orchestrated whole, which is why I would wish everyone, black or white, to read this novel. He demonstrates to superb effect how racism in America has long operated as a codified and sanctioned activity intended to enrich one group at the expense of another -- Aminatta Forna * Guardian *
Whitehead's brilliant examination of America's history of violence is a stunning novel of impeccable language and startling insight * Publishers Weekly *
Searing . . . the story is masterfully told -- Duncan White * Telegraph *
Whitehead's most emotionally resonant novel to date . . . he allows us to feel, and to ache, too -- Clifford Thompson * Times Literary Supplement *
A furious, compassionate novel whose final sleight of hand will twist deep in your gut -- Claire Allfree * Metro *
A commanding triumph . . . brilliant and furious . . . a lean, commanding page turner that provides the richest fictional experience of 2019 so far . . . the prose is so loaded with quicksilver wit, it holds you in its thrall. It is a novel that not only succeeds in character, plot and moral argument but lends grace to lives all too easily shattered . . . The compressed fury of Whitehead's writing is what propels the novel forward - he is one of only a handful of writers who is so brilliant you just want to feed him stories. He has a distinctive voice, at once cynical and compassionate, and his wry observations cut to the quick in ways that make other novelists look prissy or too anxious to please. There is barely a paragraph of The Nickel Boys without some felicitous touch -- Johanna Thomas-Corr * Sunday Times *
From the award-winning author of The Underground Railroad comes another searing novel exploring America's racially troubled past . . . a real page-turner -- Max Davidson * Mail on Sunday *
Whitehead neither sentimentalises nor exaggerates the tale that emerges. He writes with a clear-eyed calm, letting his characters, particularly Elwood, speak for themselves . . . Colson Whitehead's book is not a polemic, but in presenting the unconscionable history of this particular institution, keeping boys in solitary confinement or even burying them "out the back", he once again builds an allegorical history that resonates in the present -- Tim Adams * Observer *