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The Mare - Mary Gaitskill

The Mare

By: Mary Gaitskill

Paperback | 11 January 2021

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A profound, important novel about how love and family are shaped by place, race and class.

When Velveteen Vargas, an eleven-year-old Fresh Air Fund kid from Brooklyn, comes to stay with a couple in upstate New York, what begins as a two-week visit blossoms into something much more significant. Soon Velvet finds herself torn between her hosts - Ginger, a failed artist and shakily recovered alcoholic and Paul, a college professor - and her own tormented mother.

Ginger longs for a child of her own, but Paul continues to refuse. Bemused by her gentle middle-aged hosts, but deeply intuitive in the way of clever children, Velvet quickly senses the longing behind Ginger's rapturous attention. Velvet's one constant becomes her newly discovered passion for horse riding, and her affection for an abused, unruly mare.

A profound and stirring novel about how love and family are shaped by place, race and class, The Mare is a stunning exploration of the sometimes unexpected but profound connections made throughout our lives.

About the Author

Mary Gaitskill is the author of the story collections Bad Behavior, Because They Wanted To, and Don't Cry, the novels Veronica, The Mare and Two Girls Fat and Thin, the novella This is Pleasure and the memoir Lost Cat. She has received a Guggenheim Fellowship and her work has appeared in the New Yorker, Harper's, Esquire, The Best American Short Stories, and the O. Henry Prize Stories.
Industry Reviews
'Gaitskill's work feels more real than real life and reading her leads to a place that feels like a sacred space.' - Boston Globe

'Penetrating ... confronts, head-on, white privilege and black victimhood.' - Daily Mail

'Gaitskill's novel is not a children's book, but it is a book about what children long for, and how we long for the same thing many years after we've left childhood behind' - The New York Times

'Velvet is that most wonderful of fictional creations: a convincing child who manages to be a captivating and perceptive narrator.' - New Yorker

'Visceral and haunting, and the telling, with its shifting first person narrative, is nothing short of masterful.' - GQ

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