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The Empathic Screen : Cinema and Neuroscience - Vittorio Gallese
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The Empathic Screen

Cinema and Neuroscience

By: Vittorio Gallese, Michele Guerra

Hardcover | 16 October 2019

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Why do people go to the movies? What does it mean to watch a movie? To what extent is the perceived fictional nature of movies different from our daily perception of the real world?

We live in a time where the power of images has strongly invaded our everyday life, and we need new instruments and methods to better understand our relationship with the virtual worlds we inhabit every day. Taking cinema as the beginning of our relationship with the world of moving images, and cognitive neuroscience as a paradigm to understand how the images engage us, The Empathic Screen develops a new theory of film experience, exploring our brain-body interaction when engaging with and watching a film. In this book, film theory and neuroscience meet to shed new light on cinema masterpieces, such as The Shining, The Silence of the Lambs, and Toy Story, and explore the great directors from the classical period to the present.

Taking a radical new approach to understanding the cinema, the book will be fascinating reading for cognitive scientists, neuroscientists, psychologists, philosophers, and film and media scholars.
Industry Reviews
`Brains have been copying reality imagetically for a few million years. This nervous obsession was essential for constructing consciousness and for creating descriptions of what is as well as predictions of what may be or will be. One curious consequence of this ability, for humans, was the invention of cinema, the art that Vittorio Gallese and Michele Guerra so beautifully analyze as scientists and humanists in The Empathic Screen, Cinema and Neuroscience. Theirs is an indispensable book. ' Antonio Damasio, Dornsife Professor of Neuroscience, University of Southern California, Author of The Strange Order of Things `In this brilliant book, Vittorio Gallese and Michele Guerra both refine and reconfigure the spectator's embodied relation to moving pictures. With its impressive philosophical reach, lucid explanations of the authors' original neuroscience research, and copious illustrations from the history of film, The Empathic Screen exemplifies interdisciplinary thought at its shining best. ' Siri Hustvedt, PhD, novelist, essayist, author of Memories of the Future (2019). `An unprecedented re-examination that tests classical film theories with neurosciences. A surprising dialogue that reignites our interest in film aesthetics and spectatorship, and opens an experimental approach to understanding the evolution of visual styles and narrative strategies in cinema. ' Francesco Casetti, Yale University

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