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The Archive Effect : Found Footage and the Audiovisual Experience of History - Jaimie Baron

The Archive Effect

Found Footage and the Audiovisual Experience of History

By: Jaimie Baron

Hardcover | 6 December 2013 | Edition Number 1

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Hardcover


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The Archive Effect: Found Footage and the Audiovisual Experience of History examines the problems of representation inherent in the appropriation of archival film and video footage for historical purposes. Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer's experience of and relationship to the past they portray. Rethinking the notion of the archival document in terms of its reception and the spectatorial experiences it generates, she explores the 'archive effect' as it is produced across the genres of documentary, mockumentary, experimental, and fiction films. This engaging work discusses how, for better or for worse, the archive effect is mobilized to create new histories, alternative histories, and misreadings of history.

The book covers a multitude of contemporary cultural artefacts including fiction films like Zelig, Forrest Gump and JFK, mockumentaries such as The Blair Witch Project and Forgotten Silver, documentaries like Standard Operating Procedure and Grizzly Man, and videogames like Call of Duty: World at War. In addition, she examines the works of many experimental filmmakers including those of Peter Forgacs, Adele Horne, Bill Morrison, Cheryl Dunye, and Natalie Bookchin.

Industry Reviews

"The archive has multiplied and diversified; our relationship with historical reality has changed. This transforms The Archive Effect into a multi-disciplinary text, since it responds to the appropriatism in audiovisual arts, which, in one way or another, concern all of us. The British historian Eric Hobsbawn wrote that 'technology is able to explain a story in thirty seconds.' A guide like The Archive Effect is needed to understaand those fragments of history."

- Cesar Ustarroz, Found Footage Magazine

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