| Introduction | p. xv |
| 2001: A Space Odyssey (1968) | p. 1 |
| 42ND Street (1933) | p. 4 |
| The 400 Blows (1959) | p. 8 |
| All About Eve (1950) | p. 11 |
| Annie Hall (1977) | p. 14 |
| Ashes and Diamonds (1958) | p. 17 |
| L'Atalante (1934) | p. 20 |
| The Bank Dick (1940) | p. 24 |
| The Battleship Potemkin (1925) | p. 27 |
| The Birth of A Nation (1915) | p. 30 |
| Blow-Up (1966) | p. 34 |
| Bonnie and Clyde (1967) | p. 38 |
| Breathless (1960) | p. 43 |
| Bringing Up Baby (1938) | p. 48 |
| Casablanca (1942) | p. 51 |
| The Chant of Jimmie Blacksmith (1978) | p. 55 |
| Children of Paradise (1945) | p. 58 |
| Chinatown (1974) | p. 61 |
| Citizen Kane (1941) | p. 65 |
| Close Encounters of the Third Kind (1977) | p. 69 |
| Closely Watched Trains (1967) | p. 72 |
| Close-Up (1990) | p. 76 |
| Dance, Girl, Dance (1940) | p. 79 |
| The Decalogue (1988) | p. 81 |
| Diary of A Country Priest (1951) | p. 84 |
| Diner (1982) | p. 88 |
| Do the Right Thing (1989) | p. 91 |
| La Dolce Vita (1959) | p. 94 |
| Double Indemnity (1944) | p. 97 |
| Duck Soup (1933) | p. 100 |
| Easy Rider (1969) | p. 104 |
| Enter the Dragon (1973) | p. 107 |
| The Entertainer (1960) | p. 110 |
| The Exorcist (1973) | p. 113 |
| Faces (1968) | p. 116 |
| Fargo (1996) | p. 118 |
| Frankenstein and The Bride of Frankenstein (1931, 1935) | p. 121 |
| The General (1927) | p. 125 |
| The Godfather and the Godfather Part II (1972, 1974) | p. 128 |
| Gone With the Wind (1939) | p. 132 |
| The Gospel According to St. Matthew (1964) | p. 136 |
| The Graduate (1967) | p. 138 |
| Greed (1924) | p. 141 |
| Happy Together (1997) | p. 144 |
| High Noon (1952) | p. 147 |
| Invasion of the Body Snatchers (1956) | p. 151 |
| Jailhouse Rock (1957) | p. 153 |
| Ju Dou, Raise the Red Lantern, Red Sorghum (1990, 1991, 1987) | p. 156 |
| Killer of Sheep (1977) | p. 159 |
| L.A. Confidential (1997) | p. 163 |
| Landscape in the Mist (1988) | p. 167 |
| Lawrence of Arabia (1962) | p. 170 |
| M (1931) | p. 173 |
| The Maltese Falcon (1941) | p. 176 |
| The Man With A Movie Camera (1929) | p. 179 |
| The Marriage of Maria Braun (1978) | p. 181 |
| Metropolis (1927) | p. 182 |
| Modern Times (1936) | p. 185 |
| Mr. Smith Goes to Washington (1939) | p. 188 |
| Nashville (1975) | p. 191 |
| The Night of the Hunter (1955) | p. 194 |
| Night of the Living Dead (1968) | p. 198 |
| Nosferatu (1922) | p. 200 |
| Los Olvidados (1950) | p. 203 |
| On the Waterfront (1954) | p. 206 |
| Open City (1945) | p. 208 |
| The Palm Beach Story (1942) | p. 212 |
| Pandora's Box (1928) | p. 215 |
| The Passion of Joan of Arc (1928) | p. 219 |
| Pather Panchali, Aparajito, The World of APU (1956, 1958, 1960) | p. 222 |
| The Piano (1993) | p. 226 |
| Psycho (1960) | p. 229 |
| The Public Enemy (1931) | p. 232 |
| Pulp Fiction (1994) | p. 236 |
| Raging Bull (1980) | p. 238 |
| Rashomon (1950) | p. 241 |
| Rebel Without A Cause (1955) | p. 245 |
| The Rules of the Game (1939) | p. 248 |
| Schindler's List (1993) | p. 253 |
| The Searchers (1956) | p. 256 |
| The Seven Samurai (1954) | p. 258 |
| The Seventh Seal (1957) | p. 261 |
| Singin' in the Rain (1952) | p. 264 |
| Star Wars (1977) | p. 267 |
| La Strada and Nights of Cabiria (1955, 1957) | p. 270 |
| Sunrise (1927) | p. 275 |
| Sunset Boulevard (1950) | p. 279 |
| The Thief of Bagdad (1924) | p. 284 |
| Tokyo Story (1953) | p. 286 |
| Top Hat (1935) | p. 288 |
| Touch of Evil (1958) | p. 290 |
| Trouble in Paradise (1935) | p. 293 |
| Ugetsu Monogatari (1953) | p. 298 |
| Unforgiven (1992) | p. 304 |
| Les Vampires (1915) | p. 307 |
| Vertigo (1958) | p. 310 |
| The Wild Bunch (1969) | p. 315 |
| Winchester '73 (1953) | p. 318 |
| The Wizard of oz (1939) | p. 322 |
| Written on the Wind (1956) | p. 325 |
| Contributors | p. 329 |
| Index | p. 333 |
| Permissions | p. 347 |
| Table of Contents provided by Syndetics. All Rights Reserved. |
