Studying Ida

Sheila Skaff's meticulous attention to cinematic detail helps us understand the mastery-and the meaning--of Ida. Her close analysis of every scene illuminates Pawlikowski's approach. When she comments on how Ida mixes genres, or connects John Coltrane to Polish romanticism, Skaff brings fresh insights to a haunting movie. Of particular interest is her timely analysis of the polarizing effects of Ida in Poland: what she rightly calls filmic poetry engendered political controversy. * Annette Insdorf, Columbia University Film Professor, and author of Indelible Shadows: Film and the Holocaust, and Double Lives, Second Chances: The Cinema of Krzysztof Kieslowski *
Studying Ida by Sheila Skaff is an intelligent and very efficient monograph on an Oscar-winning film, Pawel Pawlikowski's Ida (2013). Meticulously researched and elegantly written, the book reveals many of this film's important layers, including politics and history. Skaff produces an insightful study and an indispensable teaching aid. * J. Marek Haltof, Professor of Film Studies, Northern Michigan University *
Sheila Skaff has written a lucid, intellectually expansive account of one of the most important Eastern European films of the last decade. She casts a wide net into relevant areas of Polish cinema, music and poetry to highlight Pawlikowski's sources for his best film to date, opening perspectives for readers to investigate what she rightly calls the 'cultural predicament' Ida has posed. At a moment when highly politicized debates are raging in Poland about what memories of World War II are appropriate, Studying Ida makes a most useful contribution to the ongoing discussions. * Stuart Liebman, Professor Emeritus of Film Studies, CUNY Graduate Center *
There isn't a Polish film in recent memory that would have inspired as much admiration, debate, domestic controversy and international recognition as Pawel Pawlikowski's Ida. With this singularly focused study, Sheila Skaff proves herself once again to be a skillful and elegant reader of Polish film: at once fully aware of the cinematic traditions Ida belongs to, as well as swiftly navigating the complex historical context it emerges from. * Michal Oleszczyk, Ph.D., Assistant Professor of Film Studies at Artes Liberales Department (University of Warsaw) *