Zakes Mda is the most acclaimed South African writer of the independence era. His eight novels tell stories that venture far beyond the conventional narratives of a people's struggle against apartheid. In this memoir, he tells the story of a life that intersects with the political life of his country but that at its heart is the classic adventure story of an artist, lover, father, teacher, and bon vivant.
Zanemvula Mda was born in 1948 into a family of lawyers and grew up in Soweto's ambitious educated black class. At age fifteen he crossed the Telle River from South Africa into Basutoland (Lesotho), exiled like his father, a "founding spirit" of the Pan Africanist Congress. Exile was hard, but it was just another chapter in Mda's coming-of-age. He served as an altar boy (and was preyed on by priests), flirted with shebeen girls, feared the racist Boers, read comic books alongside the literature of the PAC, fell for the music of Dvorak and Coltrane, wrote his first stories--and felt the void at the heart of things that makes him an outsider wherever he goes. The Soweto uprisings called him to politics; playwriting brought him back to South Africa, where he became writer in residence at the famed Market Theatre; three marriages led him hither and yon; acclaim brought him to America, where he began writing the novels that are so thick with the life of his country. In all this, Mda struggled to remain his own man, and with "Sometimes There Is a Void "he shows that independence opened the way for the stories of individual South Africans in all their variety.
Industry Reviews
"A gregarious and transfixing memoir... Chronicles the upheavals that have sharpened Mda's skills as a wide-ranging social observer." --Rob Nixon, The New York Times Book Review
"Fascinating... During my five-year stint as Africa bureau chief for The Christian Science Monitor, I struggled in vain to find a memoir like this one." --Scott Baldauf, The Christian Science Monitor
"It is easy to become immersed in this memoir... Mda's deeper struggles parallel those of all South Africans seeking identity and freedom." --Publishers Weekly (starred review)
"Remarkably gorgeous, urgent, poetic... It's been a long time since I have been so undone and remade by another person's words." --Alexandra Fuller, author of Don't Let's Go to the Dogs Tonight