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Silent Screens : The Decline and Transformation of the American Movie Theater - Michael Putnam

Silent Screens

The Decline and Transformation of the American Movie Theater

By: Michael Putnam, Robert Sklar (Introduction by)

Hardcover | 13 September 2000

At a Glance

Hardcover


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The single-screen movie theaters that punctuated small-town America's main streets and city neighborhoods since the 1920s are all but gone. The well-dressed throng of moviegoers has vanished; the facades are boarded. In Silent Screens, photographer Michael Putnam captures these once prominent cinemas in decline and transformation. His photographs of abandoned movie houses and forlorn marquees are an elegy to this disappearing cultural icon.

In the early 1980s, Putnam began photographing closed theaters, theaters that had been converted to other uses (a church, a swimming pool), theaters on the verge of collapse, theaters being demolished, and even vacant lots where theaters once stood. The result is an archive of images, large in quantity and geographically diffuse. Here is what has become of the Odeons, Strands, and Arcadias that existed as velvet and marble outposts of Hollywood drama next to barbershops, hardware stores, and five-and-dimes.

Introduced by Robert Sklar, the starkly beautiful photographs are accompanied by original reminiscences on moviegoing by Peter Bogdanovich, Molly Haskell, Andrew Sarris, and Chester H. Liebs as well as excerpts from the works of poet John Hollander and writers Larry McMurtry and John Updike. Sklar begins by mapping the rise and fall of the local movie house, tracing the demise of small-town theaters to their role as bit players in the grand spectacle of Hollywood film distribution. "Under standard distribution practice," he writes, "a new film took from six months to a year to wend its way from picture palace to Podunk (the prints getting more and more frayed and scratched along the route). Even though the small-town theaters and their urban neighborhood counterparts made up the majority of the nation's movie houses, their significance, in terms of revenue returned to the major motion-picture companies that produced and distributed films, was paltry."

In his essay, "Old Dreams," Last Picture Show director Peter Bogdanovich recalls the closing of New York City's great movie palaces -- the mammoth Roxy, the old Paramount near Times Square, the Capitol, and the Mayfair -- and the more innocent time in which they existed "when a quarter often bought you two features, a newsreel, a comedy short, a travelogue, a cartoon, a serial, and coming attractions."

While the images in Putnam's book can be read as a metaphor for the death of many downtowns in America, Silent Screens goes beyond mere nostalgia to tell the important story of the disappearance of the single-screen theater, illuminating the layers of cultural and economic significance that still surround it.

"These photographs and the loss of which they speak signal the passing of a way of being together." -- Molly Haskell

List of Theaters by State

Alabama The Lyric, Anniston The Martin, Huntsville

Arizona The Duncan, Duncan

Arkansas The Avon, West Memphis

California The Town, Los Angeles El Capitan, San Francisco The State, Santa Barbara

Connecticut The Dixwell Playhouse, New Haven The Princess, New Haven

Florida The Gateway, Lake City

Georgia The Judy, Hartwell

Idaho The Ace, Wendell

Illinois The Pekin, Pekin

Indiana The Rem, Remington The Ritz, Rensselaer

Kansas The Cameo, Kansas City

Kentucky The Crescent, Louisville The Ohio, Louisville

Louisiana The Madison, Madisonville The Sabine, Many The Jefferson, New Orleans

Massachusetts The Strand, WestfieldMichigan The Liberty, Benton Harbor

Mississippi The Magee, Magee The Star, Mendenhall The Mono, Monticello The Park, Pelahatchie

Missouri The Star, Warrensburg

Nebraska The Grand, Grand Isle

New Jersey RKO Proctor's Palace, Newark

New Mexico The Lux, Grants The State, San Jon

New York The Hollywood, Au Sable Forks The Broadway, Buffalo The Lovejoy, Buffalo The Senate, Buffalo The Jefferson, New York City The Little Carnegie, New York City The 72nd Street East, New York City

North Carolina The Colonial, Chesnee The Alva, Morganton

Oregon The United Artists, Pendleton

Pennsylvania The Lawndale, Philadelphia The Rex, Philadelphia The Spruce, Philadelphia The York, Philadelphia The Capitol, Williamsport

Tennessee The Park, Memphis

Texas The Royal, Archer City The Strand, Chillicothe The Gem, Claude The Mulkey, Clarendon The Texas, Del Rio The Bowie, Fort Worth The Chatmas, Hearne The Queen, Hearne The Palace, Henderson The Alabama, Houston The Almeda, Houston The Crim, Kilgore The Gulf, Robstown The Clinch, Tazwell The Winnie, Winnie

Virginia The Earle, Big Stone Gap The Home, Strasburg

Washington The Pasco, Pasco

West Virginia The Ritz, Ansted The Alpine, Rainelle

Industry Reviews

""Michael Putnam's strikingly beautiful photographs document American movie theaters and the passing of that era in American culture. They penetrate the barrier that traditionally separates significant aesthetic achievement and historical events. Such is the contribution, historically, of great documentary photography.""

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