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Wrongly accused of theft and exiled from a religious community many years before, the embittered weaver Silas Marner lives alone in Raveloe, living only for work and his precious hoard of money. But when his money is stolen and an orphaned child finds her way into his house, Silas is given the chance to transform his life. His fate, and that of the little girl he adopts, is entwined with Godfrey Cass, son of the village Squire, who, like Silas, is trapped by his past. Silas Marner, George Eliot's favourite of her novels, combines humour, rich symbolism and pointed social criticism to create an unsentimental but affectionate portrait of rural life.
The text uses the Cabinet edition, revised by George Eliot in 1878. David Carroll's introduction is accompanied by the original Penguin Classics introduction by Q. D. Leavis.
About the Author
Mary Ann Evans (1819-80) began her literary career as a translator and later editor of the Westminster Review. In 1857, she published SCENES OF CLERICAL LIFE, the first of eight novels she would publish under the name of 'George Eliot', including THE MILL ON THE FLOSS, MIDDLEMARCH, and DANIEL DERONDA.
"I think Silas Marner holds a higher place than any of the author's works. It is more nearly a masterpiece; it has more of that simple, rounded, consummate aspect. . .which marks a classical work."--Henry James
ISBN: 9780141439754 ISBN-10: 0141439750 Series: Penguin Classics Audience:
For Ages: 18+ years old For Grades: 9+ Format:
Number Of Pages: 272 Published: March 2004 Publisher: Penguin Books Ltd Country of Publication: GB Dimensions (cm): 19.7 x 13.0
Weight (kg): 0.21
Edition Number: 1
Mary Ann (Marian) Evans, better known by her pen name George Eliot, was an English novelist. She was one of the leading writers of the Victorian era. Her novels, largely set in provincial England, are well known for their realism and psychological perspicacity.
She used a male pen name, she said, to ensure that her works were taken seriously. Female authors published freely under their own names, but Eliot wanted to ensure that she was not seen as merely a writer of romances. An additional factor may have been a desire to shield her private life from public scrutiny and to prevent scandals attending her relationship with the married George Henry Lewes. They lived together as man and wife, but Lewes was unable to divorce his wife from his failed marriage.