| Preface | |
| Introduction | p. 1 |
| Models | p. 6 |
| Can there be Non-Embodied Information? | |
| Acts Between and Between Acts | |
| Between Reality and Virtuality: Toward a New Consciousness? | |
| The Actualisation of the Virtual | |
| We are the Consciousness Musicians - Electronic Art, Consciousness and the Western Intellectual Tradition | |
| Immersive Computer Art and the Making of Consciousness | |
| Memory | p. 38 |
| Casablanca and Men in Black: Consciousness, Remembering, and Forgetting | |
| Virtual Space and the Construction of Memory | |
| Memory Maps and the Nazca | |
| Transcendence | p. 52 |
| Parallel Worlds: Representing Consciousness at the Intersection of Art, Dissociation, and Multidimensional Awareness | |
| Sacred Art in a Digital Era: Or the Internet and the Immanent Place in the Heart | |
| Negotiating New Systems of Perception: Darshan, Diegesis and Beyond | |
| Seeing Double: Art and the Technology of Transcendence | |
| Jumping Over the Edge: Consciousness and Culture, the Self and Cyberspace | |
| Space-time Boundaries in the Xmantic Web | |
| Post-biological Body | p. 81 |
| Recreating Ourselves: Romeo and Juliet in Hades by Future Movie | |
| The Body as Interface | |
| Art at the Biological Frontier | |
| Images and Imaging | |
| The Power of Seduction in Biomedicine | |
| Stasis: The Creation and Exploration of Subjective Experiential Realities through Hypnosis, Psychosynthesis and Digital Technology | |
| Emotion, Interactivity, and Human Measurement | |
| Writing the Post-Biological Body | |
| Space and Time | p. 119 |
| For a Spatiotemporal Sensitivity | |
| Virtual Geographies, Borders and Territories: GPS Drawings and Visual Spaces | |
| An Exploration of Spatial/Temporal Slippage | |
| Thinking Through Asynchronous Space | |
| The Space Between the Assumed Real and the Digital Virtual | |
| Strategies | p. 145 |
| The Work of Art in the Age of Digital Historiography | |
| Mind Memory Mapping Metamorphosis: Is Hypermedia Cognitive Art? | |
| The House that Jack Built: Jack Burnham's Concept of "Software" as a Metaphor for Art | |
| Streams of Consciousness: Info-Narratives in Networked Art | |
| Consciousness and Music | |
| The Irreducibility of Literary Consciousness | |
| Nonsense Logic and Re-embodied Intelligence | |
| Conscious Isomorphisms and Young Farmers: Consciousness as a Subject of Artistic Research | |
| Modeling Interpretation | |
| Performing Presence | |
| Projects | p. 196 |
| Ephemere: Landscape, Earth, Body and Time in Immersive Virtual Space | |
| Virtual Environment as Rebus | |
| Dynamic Behavioural Spaces with Single and Multi-User Group Interaction | |
| Reality, Virtuality and Visuality in the Xmantic Web | |
| Xmantic Webdesign | |
| Assigning Handlers to a Shadow | |
| Architecture | p. 223 |
| Human Spatial Orientation in Virtual Worlds | |
| An Interactive Architecture | |
| Heterotic Architecture | |
| The Cybrid Condition: Implementing Hybrids of Electronic and Physical Space | |
| Virtual Architecture as Hybrid: Conditions of Virtuality vs. Expectations from Reality | |
| Creative Process | p. 248 |
| Acquiring an Artistic Skill: A Multidimensional Network | |
| Enlarging the Place for Creative Insight in the Theatre Model of Consciousness | |
| An Approach to Creativity as Process | |
| We are having an idea: Creativity within Distributed Systems | |
| To be or not to be... Conscious | |
| Values | p. 273 |
| CyberArt and CyberEthics | |
| The Metaphoric Environment of Art and Technology | |
| The Four Seas: Conquest Colonisation, Consciousness in Cyberspace | |
| Future Present: Reaestheticizing Life through a New Technology of Consciousness | |
| Conspiracies, Computers and Consensus Reality | |
| The Failure and Success of Multimedia | |
| Abstract Virtual Realism | |
| Beyond Film and Television - whose Consciousness is it Anyway? | |
| Chimera for the 21st Century: Mis-Construction as Feminist Strategy | |
| Table of Contents provided by Blackwell. All Rights Reserved. |