Recto Verso

Introduction, Angela Bartram, Nader El-Bizri, Douglas Gitten; Chapter 1 By Way of an Overture: Classical Optics and Renaissance Pictorial Arts, Nader El-Bizri; Chapter 2 Parerga - Carnet de Croquis: 'ni oeuvre, ni hors d'oeuvre', Nader El-Bizri; Chapter 3 Palimpsest, John Hendrix; Chapter 4 The Ontological Sketchbook, Robert Clarke; Chapter 5 Plotting the Centre: Bramante's Drawings for the New St. Peter's Basilica, Nick Temple; Chapter 6 The Relationship Between Sketching and Painting in Chinese Traditional Aesthetics, Li Wenmin; Chapter 7 The Design Sketchbook: Between the Virtual and the Actual, Douglas Gittens; Chapter 8 Drawn to Each Other: A Love Affair with Sketches, Rachel Hurst; Chapter 9 One Wound, Two Wounds: The Body as the Site for Writing, Catalina Mejia Moreno; Chapter 10 Let's Draw the Line: The Hidden Pages of Pakistani Artists, Roohi Shafiq Ahmed, Abdullah Muhammad Iyhab Syed; Chapter 11 The Destruction of Ideas: Disregarding and Discarding Sketchbooks and Avoiding Prying Eyes, Angela Bartram; Chapter 12 Curating Sketchbooks: Interpretation, Preservation, Display, Miriam Stewart; Chapter 13 My Arguments with the World, Mario Minichiello; Chapter 14 The Sketchbook as Collection: A Phenomenology of Sketching, Raymond Lucas; Chapter 15 Notebooks and Narratives: The Secret Laboratory of the Architect's Sketchbook, Paul Clarke; Chapter 16 Sketchbook or Reflective Journal? Documenting the Practical PhD, Christine Turner;