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Radiohead : Music for a Global Future - Phil Rose

Radiohead

Music for a Global Future

By: Phil Rose

eText | 22 April 2019 | Edition Number 1

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Since Radiohead’s formation in the mid-1980s, the band has celebrated three decades of creative collaboration and achieved critical acclaim across music genres as cultural icons. Recognized not only for their musical talent and daring experimentation, Radiohead is also known for its work’s engagement with cultural and political issues. Phil Rose dissects Radiohead’s entire catalog to reveal how the music directs our attention toward themes like cyber technology, the environment, terrorism, and the inevitability of the apocalypse.

With each new album, Radiohead has sought to reinvent its sound and position in the music industry. Abandoning traditional distribution for their 2007 In Rainbows album, Radiohead experimented with a pay-what-you-want model that embraced the crowd-sourced commerce that has continued to gain prominence in modern consumer culture. In addition to chronicling the band members’ various solo projects, Rose outlines Radiohead’s political and civic activism. As the most up-to-date and thorough discussion of this landmark body of musical multimedia, Radiohead: Music for a Global Future recounts the band’s triumphs and tragedies along with their role at the forefront of adaptation both to a changing music industry and a rapidly changing world.

Industry Reviews
Rose (Confronting Technopoly, 2017), a professor of media studies, considers Radiohead not just an influential English electronic rock outfit but “an important resource for assisting us in the social and psychic navigation of our new technological age.” Such lofty regard is typical throughout this mostly academic appreciation of the 34-year-old band helmed by enigmatic frontman Thom Yorke and composer Jonny Greenwood. The author traces Radiohead’s long, multifaceted history in the studio and out, charting their early success with the hit single “Creep” and dissecting the seminal 1997 album OK Computer, while contrasting the making of later albums like Kid A, Hail to the Thief, and In Rainbows with the band’s political and social activism. . . . it’s an ambitious but compact treatise, exploring how Radiohead’s esoteric and highly regarded oeuvre aligns with and interrogates the challenges of modernity.
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