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The Best Vampire Stories 1800-1849 : A Classic Vampire Anthology - Joseph Le Fanu

The Best Vampire Stories 1800-1849

A Classic Vampire Anthology

By: Joseph Le Fanu, Polidori John, Andrew Barger (Editor)

Paperback | 3 February 2012

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Unearthed from long forgotten journals and magazines, Andrew Barger has found the very best vampire short stories from the first half of the 19th century. They are collected for the first time in this groundbreaking book on the origins of vampire lore. The cradle of all vampire short stories in the English language is the first half of the 19th century. Andrew Barger combed forgotten journals and mysterious texts to collect the very best vintage vampire stories from this crucial period in vampire literature. In doing so, Andrew unearthed the second and third vampire stories originally published in the English language, neither printed since their first publication nearly 200 years ago. Also included is the first vampire story originally written in English by John Polidori after a dare with Lord Byron and Mary Shelley. The book contains the first vampire story by an American who was a graduate of Columbia Law School. The book further includes the first vampire stories by an Englishman and German, including the only vampire stories by such renowned authors as Alexander Dumas, Theophile Gautier and Joseph le Fanu. As readers have come to expect from Andrew, he has added his scholarly touch to this collection by including annotations, story backgrounds, author photos and a foreword titled "With Teeth."
Industry Reviews

International Books Award Finalist


"[F]ascinating insight into the beginning of the vampire legend in modern Western Europe." Gothic Readers Book Club

 

"Andrew Barger, who pulled "The Black Vampyre" out of obscurity to include in his 2012 anthology The Best Vampire Stories 1800-1849, champions Sands as its author. Noting that Sands studied at the same institution as Richard Varick Dey, Barger theorizes that the writer modelled his pseudonym on the name of the latter man as a crafty effort to not only hide his identity, but also to misdirect any speculation. This would have been in line with Sands' prankish tendencies: he was fond of sharing quotations from authors and publications which, in reality, he had made up on the spot." - WWAC

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