The Tower Room

Egerton Hall Trilogy 1

By: Adèle Geras

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Paperback | 6 April 2001 | Edition Number 1

At a Glance

Paperback
144 Pages

Edition Type
New edition

Age
12 - 17

Dimensions(cm)
20.0 x 13.1 x 1.1

Paperback

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Megan, Bella and Alice inhabit the isolated world of a girl''s boarding school, Egerton Hall, buried deep in the English countryside. The Tower Room which they share is remote and high, and from it the three survey the everyday drama of school life. With only months to go until their final exams they are already sensing the dangerous delights awaiting them in the grown-up world. Megan feels a special poignancy about leaving school; orphaned soon after she came to Egerton Hall, she has virtually been brought up there as the ward of the science mistress.But it is Megan who looks down from the Tower Room that unforgettable morning, to meet Simon''s inquisitive gaze. As Megan rushes to embrace her fate, her safe, cocooned world is transformed forever . . .

Loosely based on the Rapunzel fairytale, this highly original novel is the story of a sudden, unexpected, passionate relationship and the unforseen yet inevitable results of defying convention.

Industry Reviews

The author of, most recently, Happy Endings (1991) begins a trilogy about British schoolgirls whose lives parallel familiar fairy tales. Megan (Rapunzel) is an orphan whose schoolmistress guardian, Dorothy, satisfied Megan's mother's craving for asparagus (a stand-in for rampion/rape) before Megan's birth. With intriguing ingenuity, Geras mimics the original tale: the three girls room in a tower conveniently equipped with a workmen's scaffold that Simon, a young science instructor, climbs for trysts with Megan; Dorothy, who also entertains romantic notions about Simon, discovers the guilty pair and exiles them after crushing Simon's glasses. Geras writes with imagination and grace, following the story of "Rapunzel" but also having Megan narrate from a London flat where the lovers are confronting the unromantic realities of dead-end jobs - an instructive contrast to the ardent scenes in the tower. Here, too, as in the original story, the characters are schematic - Simon, especially, exists as a one dimensional object of passion (another sly lesson). But what most holds attention is the fascinating parallel between the credible modern details and the original. Roommates Bolla, whose jealous stepmother plies her with apples, and Alice, one of whose 13 aunts caused a fuss at her christening, presage the pleasures in the books to follow. (Kirkus Reviews)

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