'Cultural politics has melted into thin air, or more accurately, this once powerful New Left paradigm has been monetized by finance capital, its dissent thoroughly commodified. But all is not lost. Enter Precarious Spaces. Packed with inventive methodologies and valuable case studies co-editors Katarzyna Kosmala and Miguel Imas have mobilized a remarkable cadre of critically engaged scholars for their project, who do not so much reject their allotted state of precarity, but who instead "flip it" around to their collective advantage. Precarious Spaces is a book, as much as it is a living theoretical framework offering essential lessons about the emerging art of precariousness. Focusing primarily on the Global South, which as we know is not always in The South, Precarious Spaces maps-out a process of "inverse colonialism" whereby those who dwell along the borders of a collapsing society strategically rag-pick and recycle its left-overs in order to assemble a survivable world from whatever is at hand. As precarity itself migrates from the perimeter into the general conditions of contemporary life, Precarious Spaces proves one thing above all else: resistance is not futile.'
-- Gregory Sholette, author of Dark Matter: Art and Politics in the Age of Enterprise Culture
'Precarious Spaces invites thinking about the multiple dimensions of the relationship between precarity and territory, culture and space, social change and art intervention in context of different experiences and practices in the North as well as, and especially, in the Global South. Individual chapters through lens of cultural studies, postcolonial studies, feminism and political economy, in an interdisciplinary way, analyse practices of autonomy construction in the era of globalization by offering us a compilation of social and politically innovative engagement. This book is not about an accumulation of experiences and practices sharing a desire of resistance. The common thread that stands out in this edited collection, is the proliferation of precarious spaces, heterogeneous but not marginal, which are relevant to understanding of the nature of the resistance to the global capital. Spaces like Mare Complex, the Fabricas Recuperadas, or the "occupied" fields in the South of Brazil, as well as artistic interventions like Favela Painting in Rio de Janeiro, Autoconstruccion in Mexico City, or the Museum of Photography in Lima, show the heterogeneity of precarity and the multiple dimensions of resistance. Through advanced logics and proposed actions, the volume seeks to generate new relationships between territory and culture. In a dialogue between Global South and Global North privileges were not assigned. Drawing on writings of several theorists such as Spivak, Mignolo, Negri, Butler, Santos or Garcia Canclini to name but few, articulated together with the voice of the volume's contributors, individual chapters help us to think through dynamics of resistance and dimensions of precarity.'
-- Dr Pablo Miguez, Professor and Researcher in Political Economy, Universidad Nacional de General Sarmiento (UNGS) and Consejo Nacional de Investigaciones Cientificas y Tecnologicas (CONICET), Buenos Aires, Argentina.
'This book presents an important and timely documentation of political and community-based art practices, focusing on Latin America, where in the past few decades the most inspiring social and political experiments have taken place. In times when austerity and precarity also touch those states and regions considered as "rich", self-organization becomes a tool of survival all across the world.'
-- Oliver Ressler, artist and film-maker
