Horror's longstanding reputation as a popular but culturally denigrated genre has been challenged by a new wave of films mixing arthouse minimalism with established genre conventions. Variously dubbed ''elevated horror'' and ''post-horror,'' films such as The Babadook, It Follows, The Witch, It Comes at Night, Get Out, The Invitation, Hereditary, Midsommar, A Ghost Story, and mother! represent an emerging nexus of taste, politics, and style that has often earned outsized acclaim from critics and populist rejection by wider audiences. Post-Horror is the first full-length study of one of the most important and divisive movements in twenty-first-century horror cinema.
Industry Reviews
Post-Horror: Art, Genre and Cultural Elevation is a thoughtful yet ambitious study of 2010s horror cinema. The book is well-researched and scholarly, yet it remains accessible in its tone and coherent in its argumentative structure. A useful entry point for readers unfamiliar with contemporary horror, Post-Horror will also engage scholars already acquainted with 2010s horror cinema through the rich detail of its analysis. Church's monograph is unique in its capacity to engage with contemporary critical paradigms while simultaneously questioning their most basic assumptions. Indeed, Post-Horror is impressive precisely because of how it employs a divisive critical term as springboard from which to launch an incisive exploration of genre, form, narrative and, most crucially, the way viewers respond to and talk about horror.--Miranda Corcoran, University College Cork "Supernatural Studies"
Church's investment in reception cultures renders Post-Horror even more valuable as a pedagogical resource. [...] Post-Horror further affirms that the past decade--an epoch of horrors--has provided a fertile opportunity for filmmakers of various marginalized backgrounds to rethink what it means to be horrified.--Caetlin Benson-Allott, Georgetown University "Film Quarterly"