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Patterns in Circulation : Cloth, Gender, and Materiality in West Africa - Nina Sylvanus
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Patterns in Circulation

Cloth, Gender, and Materiality in West Africa

By: Nina Sylvanus

Hardcover | 7 December 2016 | Edition Number 1

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In this book, Nina Sylvanus tells a captivating story of global trade and cross-cultural aesthetics in West Africa, showing how a group of Togolese women—through the making and circulation of wax cloth—became influential agents of taste and history. Traveling deep into the shifting terrain of textile manufacture, design, and trade, she follows wax cloth around the world and through time to unveil its critical role in colonial and postcolonial patterns of exchange and value production.
           
Sylvanus brings wax cloth’s unique and complex history to light: born as a nineteenth-century Dutch colonial effort to copy Javanese batik cloth for Southeast Asian markets, it was reborn as a status marker that has dominated the visual economy of West African markets. Although most wax cloth is produced in China today, it continues to be central to the expression of West African women’s identity and power. As Sylvanus shows, wax cloth expresses more than this global motion of goods, capital, aesthetics, and labor—it is a form of archive where intimate and national memories are stored, always ready to be reanimated by human touch. By uncovering this crucial aspect of West African material culture, she enriches our understanding of global trade, the mutual negotiations that drive it, and the how these create different forms of agency and subjectivity.
 
Industry Reviews
"Sylvanus illuminates the cloth's centrality to ever-shifting conceptions of social status, authenticity, personal style, and political power. . . . Patterns in Circulation reveals wax print as a stand-in for capitalist modernity in the twenty-first century built on multinational production and financing, invested with local, highly personal meanings, and always teetering on the edge of unruly transformation."-- "The Art Bulletin"
"Sylvanus's excellent multi-layered trans-historical study of Togolese wax-print fabric (or pagne) interweaves the role of African women in postcolonial developments, on the one hand, with a timely intervention in the 'China-in-Africa' debates on the other. . . . Provides essential reading not only for those interested in wax cloth, but also for those interested in its long-standing role in patterning relations between women, market and nation."-- "Africa"

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