With this collection, first published in 1975, Heaney located a myth which allowed him to articulate a vision of Ireland--its people, history, and landscape--and which gave his poems direction, cohesion, and cumulative power.
In "North," the Irish experience is refracted through images drawn from different parts of the Northern European experience, and the idea of the north allows the poet to contemplate the violence on his home ground in relation to memories of the Scandinavian and English invasions which have marked Irish history so indelibly.
Seamus Heaney received the Nobel Prize in Literature in 1995. His many books of poetry include "Opened Ground," "Electric Light," "The Spirit Level," "Seeing Things," "Station Island," "The Haw Lantern," and "Field Work," as well as translations of "Beowulf" and "Diary of One Who Vanished."
A resident of Dublin, he has taught poetry at Oxford University and Harvard University. In 2004, Heaney was presented with the "Kenyon Review" Award for Literary Achievement.
With this collection, first published in 1975, Heaney located a myth which allowed him to articulate a vision of Ireland--its people, history, and landscape--and which gave his poems direction, cohesion, and cumulative power. In "North," the Irish experience is refracted through images drawn from different parts of the Northern European experience, and the idea of the north allows the poet to contemplate the violence on his home ground in relation to memories of the Scandinavian and English invasions which have marked Irish history so indelibly.
" Heaney's] awareness of a wider social world . . . reaches its culmination in "North" (1975), a deservedly famous volume that Helen] Vendler regards as 'one of the crucial poetic interventions of the 20th century, ' ranking with Eliot's "Prufrock," Wallace Stevens' "Harmonium," and Frost's "North of Boston" in 'its key role in the history of modern poetry.'"--Michiko Kakutani, "The New York Times"
Industry Reviews
[Heaney's] awareness of a wider social world . . . reaches its culmination in "North" (1975), a deservedly famous volume that [Helen] Vendler regards as 'one of the crucial poetic interventions of the 20th century, ' ranking with Eliot's "Prufrock," Wallace Stevens' "Harmonium," and Frost's "North of Boston" in 'its key role in the history of modern poetry.' "Michiko Kakutani, The New York Times"" "[Heaney's] awareness of a wider social world . . . reaches its culmination in North (1975), a deservedly famous volume that [Helen] Vendler regards as 'one of the crucial poetic interventions of the 20th century, ' ranking with Eliot's Prufrock, Wallace Stevens' Harmonium, and Frost's North of Boston in 'its key role in the history of modern poetry.'" --Michiko Kakutani, The New York Times "[Heaney's] awareness of a wider social world . . . reaches its culmination in "North" (1975), a deservedly famous volume that [Helen] Vendler regards as 'one of the crucial poetic interventions of the 20th century, ' ranking with Eliot's "Prufrock," Wallace Stevens' "Harmonium," and Frost's "North of Boston" in 'its key role in the history of modern poetry.'" --Michiko Kakutani, " The New York Times" "�Heaney's� awareness of a wider social world . . . reaches its culmination in "North" (1975), a deservedly famous volume that �Helen� Vendler regards as 'one of the crucial poetic interventions of the 20th century, ' ranking with Eliot's "Prufrock," Wallace Stevens' "Harmonium," and Frost's "North of Boston" in 'its key role in the history of modern poetry.'" --Michiko Kakutani," The New York Times"
