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My Death - Lisa Tuttle

My Death

By: Lisa Tuttle

Paperback | 14 July 2026

At a Glance

Paperback


RRP $24.99

$21.75

13%OFF

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Available: 14th July 2026

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What just happened? The classic book you will need to dissect - the story of a writer whose research into a forgotten female author breaks down into a deeply creepy and weird tale of female erasure and resurrection.

Deeply unnerving and utterly original - the book you will need to talk about.

A writer decides to write her next book about a female author and artist unjustly forgotten by history. But what starts as an exciting research project rapidly unravels towards breakdown and horror.

The subject is to be Helen Ralston, an early twentieth-century author who has been systematically written out of history. The narrator sets about investigating her story as an artist, writer and muse to a much more famous man. Amazingly Ralston turns out to be still alive, and although elderly and frail a series of interviews begin. But a tale about the historic erasure of female voices starts to break down into something even more sinister, bizarre and all-consuming as the narrator uncovers unnerving parallels between Ralston's story and her own...

‘Short, uncanny provocative’ Lauren Elkin, New York Times

‘A slippery, endlessly unpackable novella’ Daily Mail

About the Author

Lisa Tuttle was born and raised in Austin, Texas, and moved to Britain in the 1980s. Her first novel, Windhaven, co-written with George R.R. Martin, was followed by a dozen fantasy, science fiction, and horror adult and YA novels, and hundreds of award-winning short stories collected in several volumes, including A Nest of Nightmares and The Dead Hours of the Night.

She is the author of The Encyclopedia of Feminism (1986) and currently writes a monthly science fiction review column for the Guardian. She lives with her husband and their daughter in Scotland.
Industry Reviews
My Death meditates wonderfully on writing, on gender, and on the historical erasure of women artists. It is also deeply strange. The strangeness increases almost imperceptibly until the reader – along with the nameless narrator – finds herself trapped in a frighteningly impossible world -Sarah LeFanu

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