Musical Spaces

Part I; (Trans)local Musical Spaces; 1. Musical Spaces and Deep Regionalism in Minas Gerais, Brazil; 2. 'Trapped in Oklahoma': Bible Belt Affect and DIY Punk; 3. Musical Pathways through Algerian-London; 4. Dancing to the Hotline Bling in the Old Bazaars of Tehran; Regionality in Learning and Heritage; 5. Performing Local Music: Engaging with Regional Musical Identities through Higher Education and Research; 6. Preserving Cultural Identity: Learning Music and Performing Heritage in a Tibetan Refugee School; 7. Claiming Back the Arctic: Evaluating the Effectiveness of Music as a Voice for the Indigenous Subaltern; Music and Spatial Imaginaries; 8. 'He Is a Piece of Granite...': Landscape and National Identity in Early Twentieth-century Sweden; 9. War, Folklore, and Circumstance: Dimitri Shostakovich's Greek Songs in Transnational Historical Context; 10. 'O Monstrous! O Strange!': Culture, Nature, and the Places of Music in the Mexican Sotavento; 11. Journeys to Plastic Beach: Navigations across the Virtual Ocean to Gorillaz' Fictional Island; Part II; Music-Making Environments; 12. Person ¬Environment Relationships: Influences beyond Acoustics in Musical Performance ; 13. The Social and Spatial Basis of Musical Joy: Folk Orc as Special Refuge and Everyday Ritual; 14. Echoes of Mongolia's Sensory Landscape in Shurankhai's 'Harmonized' Urtyn Duu; Designing Creative Spaces; 15. Staging Ariodante: Cultural Cartographies and Dialogical Performance; 16. Musicians in Place and Space: The Impact of a Spatialized Model of Improvised Music Performance; 17. Space, Engagement, and Immersion: From La Monte Young and Terry Riley to Contemporary Practice ; Musical Spaces and Power; 18. Micronational Spaces: Rethinking Politics in Contemporary Music Festivals; 19. Construction of Protest Space through Chanting in the Egyptian Revolution (2011): Musical Dimensions of a Political Subject; 20. Bethlem, Music, and Sound as Biopower in Seventeenth-Century London; Epilogue: Towards More Geographic Musicologies