
Moby Dick
Wordsworth Classics
By: Herman Melville, David Herd (Introduction by), Dr. Keith Carabine (Editor)
Paperback | 5 May 1992
At a Glance
544 Pages
25.1 x 17 x 8.2
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'Moby Dick' is the story of Captain Ahab's quest to avenge the whale that 'reaped' his leg. The quest is an obsession and the novel is a diabolical study of how a man becomes a fanatic.
But it is also a hymn to democracy. Bent as the crew is on Ahab's appalling crusade, it is equally the image of a co-operative community at work: all hands dependent on all hands, each individual responsible for the security of each.
Among the crew is Ishmael, the novel’s narrator, ordinary sailor, and extraordinary reader. Digressive, allusive, vulgar, transcendent, the story Ishmael tells is above all an education: in the practice of whaling, in the art of writing. Expanding to equal his 'mighty theme' – not only the whale but all things sublime – Melville breathes in the world’s great literature. Moby Dick is the greatest novel ever written by an American.
Industry Reviews
F. O. Matthiessen
| Loomings | p. 14 |
| The Carpet-Bag | p. 18 |
| The Spouter-Inn | p. 21 |
| The Counterpane | p. 33 |
| Breakfast | p. 36 |
| The Street | p. 37 |
| The Chapel | p. 39 |
| The Pulpit | p. 42 |
| The Sermon | p. 44 |
| A Bosom Friend | p. 51 |
| Nightgown | p. 54 |
| Biographical | p. 55 |
| Wheelbarrow | p. 57 |
| Nantucket | p. 61 |
| Chowder | p. 62 |
| The Ship | p. 65 |
| The Ramadan | p. 76 |
| His Mark | p. 81 |
| The Prophet | p. 84 |
| All Astir | p. 86 |
| Going Aboard | p. 88 |
| Merry Christmas | p. 91 |
| The Lee Shore | p. 94 |
| The Advocate | p. 95 |
| Postscript | p. 99 |
| Knights and Squires | p. 99 |
| Knights and Squires | p. 102 |
| Ahab | p. 105 |
| Enter Ahab; to Him, Stubb | p. 108 |
| The Pipe | p. 110 |
| Queen Mab | p. 111 |
| Cetology | p. 113 |
| The Specksynder | p. 123 |
| The Cabin-Table | p. 125 |
| The Mast-Head | p. 130 |
| The Quarter-Deck | p. 135 |
| Sunset | p. 141 |
| Dusk | p. 142 |
| First Night-Watch | p. 143 |
| Midnight, Forecastle | p. 144 |
| Moby Dick | p. 149 |
| The Whiteness of the Whale | p. 157 |
| Hark! | p. 164 |
| The Chart | p. 165 |
| The Affidavit | p. 169 |
| Surmises | p. 176 |
| The Mat-Maker | p. 178 |
| The First Lowering | p. 180 |
| The Hyena | p. 189 |
| Ahab's Boat and Crew. Fedallah | p. 190 |
| The Spirit-Spout | p. 192 |
| The Albatross | p. 195 |
| The Gam | p. 197 |
| The Town-Ho's Story | p. 200 |
| Of the Monstrous Pictures of Whales | p. 217 |
| Of the Less Erroneous Pictures of Whales, and the True Pictures of Whaling Scenes | p. 220 |
| Of Whales in Paint; in Teeth; in Wood; in Sheet-iron; in Stone; in Mountains; in Stars | p. 223 |
| Brit | p. 225 |
| Squid | p. 227 |
| The Line | p. 229 |
| Stubb Kills a Whale | p. 232 |
| The Dart | p. 236 |
| The Crotch | p. 237 |
| Stubb's Supper | p. 238 |
| The Whale as a Dish | p. 245 |
| The Shark Massacre | p. 247 |
| Cutting In | p. 248 |
| The Blanket | p. 250 |
| The Funeral | p. 252 |
| The Sphynx | p. 253 |
| The Jeroboam's Story | p. 255 |
| The Monkey-Rope | p. 260 |
| Stubb and Flask Kill a Right Whale; and Then Have a Talk over Him | p. 263 |
| The Sperm Whale's Head--Contrasted View | p. 268 |
| The Right Whale's Head--Contrasted View | p. 271 |
| The Battering-Ram | p. 273 |
| The Great Heidelburgh Tun | p. 275 |
| Cistern and Buckets | p. 277 |
| The Prairie | p. 280 |
| The Nut | p. 282 |
| The Pequod Meets the Virgin | p. 284 |
| The Honor and Glory of Whaling | p. 293 |
| Jonah Historically Regarded | p. 295 |
| Pitchpoling | p. 297 |
| The Fountain | p. 298 |
| The Tail | p. 302 |
| The Grand Armada | p. 306 |
| Schools and Schoolmasters | p. 316 |
| Fast-Fish and Loose-Fish | p. 318 |
| Heads or Tails | p. 321 |
| The Pequod Meets the Rose-Bud | p. 324 |
| Ambergris | p. 329 |
| The Castaway | p. 331 |
| A Squeeze of the Hand | p. 334 |
| The Cassock | p. 337 |
| The Try-Works | p. 338 |
| The Lamp | p. 342 |
| Stowing Down and Clearing Up | p. 342 |
| The Doubloon | p. 344 |
| Leg and Arm. The Pequod, of Nantucket, Meets the Samuel Enderby, of London | p. 349 |
| The Decanter | p. 355 |
| A Bower in the Arsacides | p. 358 |
| Measurement of the Whale's Skeleton | p. 362 |
| The Fossil Whale | p. 364 |
| Does the Whale's Magnitude Diminish?--Will He Perish? | p. 367 |
| Ahab's Leg | p. 370 |
| The Carpenter | p. 372 |
| Ahab and the Carpenter | p. 374 |
| Ahab and Starbuck in the Cabin | p. 377 |
| Queequeg in His Coffin | p. 379 |
| The Pacific | p. 384 |
| The Blacksmith | p. 385 |
| The Forge | p. 387 |
| The Gilder | p. 390 |
| The Pequod Meets the Bachelor | p. 391 |
| The Dying Whale | p. 393 |
| The Whale Watch | p. 394 |
| The Quadrant | p. 395 |
| The Candles | p. 397 |
| The Deck Towards the End of the First Night Watch | p. 402 |
| Midnight--The Forecastle Bulwarks | p. 403 |
| Midnight Aloft--Thunder and Lightning | p. 404 |
| The Musket | p. 404 |
| The Needle | p. 407 |
| The Log and Line | p. 410 |
| The Life-Buoy | p. 412 |
| The Deck | p. 415 |
| The Pequod Meets the Rachel | p. 417 |
| The Cabin | p. 419 |
| The Hat | p. 421 |
| The Pequod Meets the Delight | p. 424 |
| The Symphony | p. 425 |
| The Chase--First Day | p. 428 |
| The Chase--Second Day | p. 436 |
| The Chase--Third Day | p. 443 |
| Epilogue | p. 452 |
| Table of Contents provided by Ingram. All Rights Reserved. |
ISBN: 9781853260087
ISBN-10: 1853260088
Series: Wodsworth Collection
Published: 5th May 1992
Format: Paperback
Language: English
Number of Pages: 544
Audience: General Adult
Publisher: Wordsworth Editions
Country of Publication: GB
Dimensions (cm): 25.1 x 17 x 8.2
Weight (kg): 0.36

Herman Melville
(born Aug. 1, 1819, New York, N.Y., U.S.—died Sept. 28, 1891, New York City) U.S. writer. Born to a wealthy New York family that suffered great financial losses, Melville had little formal schooling and began a period of wanderings at sea in 1839. In 1841 he sailed on a whaler bound for the South Seas; the next year he jumped ship in the Marquesas Islands. His adventures in Polynesia were the basis of his successful first novels, Typee (1846) and Omoo (1847).
After his allegorical fantasy Mardi (1849) failed, he quickly wrote Redburn (1849) and White-Jacket (1850), about the rough life of sailors. Moby-Dick (1851), his masterpiece, is both an intense whaling narrative and a symbolic examination of the problems and possibilities of American democracy; it brought him neither acclaim nor reward when published.
Increasingly reclusive and despairing, he wrote Pierre (1852), which, intended as a piece of domestic “ladies” fiction, became a parody of that popular genre, Israel Potter (1855), The Confidence-Man (1857), and magazine stories, including “Bartleby the Scrivener” (1853) and “Benito Cereno” (1855). After 1857 he wrote verse. In 1866 a customs-inspector position finally brought him a secure income. He returned to prose for his last work, the novel Billy Budd, Foretopman, which remained unpublished until 1924. Neglected for much of his career, Melville came to be regarded by modern critics as one of the greatest American writers.
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