
Masking Unmasked
Four Approaches to Basic Acting
By: E. Simon
Paperback | 1 November 2003 | Edition Number 1
At a Glance
208 Pages
20.32 x 13.97 x 1.91
Paperback
$84.99
or 4 interest-free payments of $21.25 with
orShips in 5 to 7 business days
Industry Reviews
"This unique and outstanding book addresses the most complex problem of acting: how does an actor inhabit a character, engage an audience, and at the same time retain - indeed, capitalize upon - his or her individual authenticity? Professor Simon's solutions are as delightful as they are instructive. An eye-opening work that will prove immeasurably useful to actors at all levels."
- Robert Cohen, Claire Trevor Professor of Drama, UC Irvine
"This brilliant, innovative, and beautifully organized book on using masks for actor training is a real treasure. Internationally known teacher anddirector Eli Simon focuses on four systems of masking that illuminate the most important and enduring premises of acting technique. Simon's text proceeds smoothly from building and using full-face and bag masks through clowning, commedia, and improvisation in its steady progress toward improving the skills of young actors. Honed in one of the top actor training programs in the country, the exercises in Masking Unmasked celebrate the instantaneous transformations available to actors at all different skill levels." - Michael Flachmann, Professor of English at California State University, Company Dramaturg for the Utah Shakespearean Festival
"This is a book I want to own! It would be useful not only for the teacher of movement and mask, but for the actor and the teacher of acting. It is comprehensive and quite practical in its approach to masking, clowning commedia and to the tremendous simplicity and fun of bag mask techniques. I found its organization clear and user-friendly, its language accessible and engaging. There is a logical progression of exercises which could take the actor through a complete course, or one could select exercises at random for particular acting, clowning or movement problems. I particularly appreciate its attention to specificity and detail, its encouragement to avoid generalizations, its practice with the use of triggers, and practice with vocal shifts - so useful for the actor! A great addition to our resources." - Karen S. Ryker, Associate Professor of Acting, Voice and Text, Department of Dramatic Arts, University of Connecticut-Storrs
| Preface | p. xix |
| Introduction | p. 1 |
| Masking Questions and Answers | p. 2 |
| From mask to Hu-Mask | p. 5 |
| Actor Approach | p. 6 |
| Four Families of Masks | p. 7 |
| Using the Book | p. 9 |
| Validation | p. 10 |
| Journaling | p. 10 |
| Building Masks | p. 13 |
| Handling Masks | p. 13 |
| In Sum | p. 13 |
| Full-Face Masks | p. 15 |
| Overview | p. 15 |
| Terminology | p. 16 |
| All-Powerful Masks | p. 16 |
| Transformation | p. 17 |
| Dream State | p. 17 |
| What, Are You Crazy? | p. 18 |
| Once Again, with Feeling | p. 19 |
| Pre-Mask Foundation Exercises | p. 19 |
| Warm-Up | p. 19 |
| Triggering Exercises | p. 21 |
| Touch Trigger--Physicalization | p. 22 |
| Sound Trigger--Vocalization | p. 23 |
| Merging Triggers--Comprehensive Character | p. 23 |
| Modifying Results | p. 25 |
| Maximizing | p. 26 |
| Minimizing | p. 27 |
| Setting Up for Full-Face Masking | p. 28 |
| Building the Masks | p. 28 |
| Studio Set-Up | p. 28 |
| Mirrors | p. 29 |
| Clothes | p. 29 |
| Hair | p. 29 |
| Wigs | p. 29 |
| Cloaks | p. 30 |
| The Standing Line | p. 30 |
| Three Tables | p. 30 |
| Watchers | p. 30 |
| Core Exercises: Acting in Full-Face Masks | p. 31 |
| First Impressions | p. 31 |
| Strong Emotion Ahead | p. 33 |
| Dropping into Mask | p. 34 |
| Let's Get Physical | p. 35 |
| Stance | p. 35 |
| Walk | p. 37 |
| Gesture | p. 38 |
| Essence | p. 39 |
| Statues | p. 39 |
| Speaking Up | p. 41 |
| Finding Sounds | p. 41 |
| Wigging Out | p. 43 |
| Wigs | p. 43 |
| Cloaked in Mystery | p. 44 |
| Cloaks | p. 44 |
| Child's Play | p. 45 |
| Simple Doing | p. 45 |
| Core Exercises: In and Out of Full-Face Masks | p. 47 |
| In and Out of Mask | p. 47 |
| Putting Baby to Sleep | p. 48 |
| Core Exercises: Reviewing and Modifying | p. 49 |
| Maximizing Hu-Mask Discoveries | p. 49 |
| Minimizing Hu-Mask Discoveries | p. 50 |
| Advanced Exercises: Group Masking | p. 51 |
| Singing Together | p. 51 |
| Dancing Together | p. 52 |
| Going Outside | p. 53 |
| Play Ball! | p. 54 |
| Faraway Village Adventure | p. 54 |
| Marketplace | p. 56 |
| Wilderness Adventure | p. 58 |
| Applied Full-Face Masking | p. 59 |
| The Greeks | p. 59 |
| Servant | p. 61 |
| Royalty | p. 62 |
| Review--Working In and Out of Mask | p. 64 |
| In Conclusion | p. 64 |
| Bag Masks | p. 67 |
| Overview | p. 67 |
| Terminology | p. 67 |
| Shifty Business | p. 68 |
| Pre-Bagging | p. 69 |
| Making Bag Masks | p. 69 |
| Studio Set-Up | p. 70 |
| Neutral Walk | p. 70 |
| Neutral Walk | p. 70 |
| Core Exercises: One-Character Bagging | p. 71 |
| Mask Performances--It's in the Bag | p. 71 |
| A Friend | p. 72 |
| Improving: Deeper and Cleaner | p. 72 |
| Once More, with Clarity | p. 73 |
| Surprise, Surprise | p. 74 |
| Surprise I | p. 74 |
| Surprise II | p. 74 |
| Core Exercises: Two-Character Bagging | p. 75 |
| Vocal Shifts | p. 75 |
| Simple Conversation | p. 76 |
| Talk This Way, No Talk This Way | p. 78 |
| Vocal Variance | p. 79 |
| Core Exercises: Three-Character Bagging | p. 80 |
| Physical Shifts | p. 80 |
| Three's Not a Crowd | p. 80 |
| Walk This Way, No Walk This Way | p. 81 |
| Street Scene | p. 81 |
| Walking and Talking, Take Three | p. 83 |
| Simple Activities | p. 84 |
| Street Scene with Activities | p. 86 |
| Maximizing and Minimizing | p. 86 |
| More or Less | p. 86 |
| In and Out of Bag Masks | p. 87 |
| Bags Away | p. 87 |
| Bags Away II | p. 87 |
| Advanced Bagging: Four Characters and Beyond | p. 88 |
| Complex Shifts | p. 88 |
| Shift, Shift, Shift, and Shift | p. 88 |
| Talk Show | p. 90 |
| New Place, New Characters | p. 91 |
| Fight Night! | p. 92 |
| Speed, Speed, Everything's Speed | p. 93 |
| Ages of Life | p. 93 |
| Along Came Spot | p. 94 |
| Mob Scenes | p. 94 |
| Applied Bagging | p. 95 |
| Jokes | p. 95 |
| Joking Around | p. 95 |
| Complex Scripts | p. 96 |
| Launcelot Gobbo | p. 96 |
| In Conclusion | p. 98 |
| Clowning | p. 99 |
| Overview | p. 99 |
| Terminology | p. 100 |
| Essence | p. 100 |
| Studio Set-Up | p. 102 |
| Audience | p. 102 |
| Laughter | p. 102 |
| The Nose Knows | p. 103 |
| Costumes and Props | p. 104 |
| Core Exercises: Basic Clowning | p. 104 |
| Rules | p. 104 |
| Let's Face It | p. 104 |
| Face Play | p. 105 |
| Connection | p. 107 |
| Three-Face Connection | p. 108 |
| Activity Connection | p. 109 |
| Yes-Mode | p. 109 |
| Spotlight: Charlie Chaplin | p. 111 |
| Yes, It's Dumb. Isn't that Great? | p. 111 |
| Interview Contradictions--Yes-Mode Test | p. 112 |
| Essence | p. 114 |
| Essence in One Word | p. 114 |
| Deepening Clown Essence | p. 115 |
| Essence Dance | p. 115 |
| Dance performance | p. 116 |
| Essentially Still | p. 117 |
| Spotlight: Buster Keaton | p. 117 |
| Minimized Dancing | p. 118 |
| Stop Dancing | p. 118 |
| Solo Statues | p. 118 |
| Risk | p. 120 |
| First Audition | p. 120 |
| Raising the Sakes | p. 122 |
| Spotlight: Lucille Ball | p. 123 |
| Second Audition | p. 123 |
| Vulnerability | p. 125 |
| Love You, Hate You | p. 125 |
| Instant Routines | p. 127 |
| Repetition and Modification | p. 128 |
| Advanced Clowning: New Directions | p. 129 |
| Alternate Essences | p. 129 |
| Spotlight: Harpo Marx | p. 129 |
| External Shifts | p. 129 |
| Activity Shifts | p. 130 |
| Dance Shifts | p. 131 |
| Applied Clowning | p. 132 |
| Sharing the Stage: Duos | p. 132 |
| Spotlight: Laurel and Hardy | p. 132 |
| Launching a Duo | p. 132 |
| Dance Duos | p. 133 |
| Improvised Duos | p. 133 |
| Synchronicity | p. 135 |
| In Conclusion | p. 136 |
| Half-Face Masks | p. 137 |
| Overview | p. 137 |
| Terminology | p. 137 |
| Commedia Connection | p. 138 |
| Copy Cat, Dirty Rat | p. 140 |
| Top or Bottom? | p. 141 |
| Pre-mask Foundation Exercises | p. 141 |
| Modern Stock | p. 142 |
| Swapping Faces | p. 143 |
| Face and Body | p. 144 |
| Walk the Walk | p. 144 |
| Talk the Talk | p. 145 |
| Back to the Mirror | p. 145 |
| Setting Up for Half-Face Masking | p. 145 |
| Clothing | p. 145 |
| Wigs | p. 145 |
| Costumes | p. 146 |
| Props | p. 146 |
| Studio Set-Up | p. 146 |
| Building Half-Face Masks | p. 146 |
| Core Exercises: Acting in Half-Face Masks | p. 147 |
| Rules of the Road | p. 147 |
| Five Quick Stances | p. 147 |
| Walk This Way | p. 148 |
| Fluid Statues and Gestures | p. 149 |
| Finding Voice | p. 151 |
| Wigs and Hats | p. 151 |
| All Dressed Up | p. 152 |
| Propping Up | p. 153 |
| Reviewing Hu-Masks | p. 154 |
| In and Out of Half-Face Masks | p. 155 |
| Core Exercises: Dynamic Duos | p. 156 |
| Sharing Activities | p. 156 |
| Song Birds | p. 157 |
| Talk, Talk, Talk | p. 158 |
| Conflict | p. 159 |
| Advanced Exercises: The Great Outdoors | p. 160 |
| Fresh Air at Last | p. 160 |
| Goodbye Studio | p. 160 |
| Building a Crowd | p. 161 |
| Busking | p. 162 |
| Lazzi | p. 163 |
| Applied Half-Face Masking | p. 165 |
| Creating an Original Commedia | p. 165 |
| Taking Stock | p. 165 |
| Solo Entertainments--Special Skills | p. 166 |
| Choosing Scenes | p. 167 |
| New Hu-Masks--Adding Spontaneity | p. 168 |
| Scripted Monologues | p. 169 |
| Scenes for Three | p. 170 |
| Putting It All Together | p. 170 |
| Theme Song | p. 171 |
| Practicing in the Studio | p. 171 |
| Back on the Streets Again | p. 173 |
| Adding Lazzi | p. 173 |
| In Conclusion | p. 174 |
| Appendix | p. 175 |
| Journaling: Hu-Mask Characters--Blank Journal | p. 175 |
| Building Full-Face Masks | p. 176 |
| Building Half-Face Masks | p. 178 |
| Building Bag Masks | p. 180 |
| Recommended Reading | p. 183 |
| Table of Contents provided by Ingram. All Rights Reserved. |
ISBN: 9781403962959
ISBN-10: 1403962952
Published: 1st November 2003
Format: Paperback
Language: English
Number of Pages: 208
Audience: General Adult
Publisher: Springer Nature B.V.
Country of Publication: GB
Edition Number: 1
Dimensions (cm): 20.32 x 13.97 x 1.91
Weight (kg): 0.26
Shipping
| Standard Shipping | Express Shipping | |
|---|---|---|
| Metro postcodes: | $9.99 | $14.95 |
| Regional postcodes: | $9.99 | $14.95 |
| Rural postcodes: | $9.99 | $14.95 |
Orders over $79.00 qualify for free shipping.
How to return your order
At Booktopia, we offer hassle-free returns in accordance with our returns policy. If you wish to return an item, please get in touch with Booktopia Customer Care.
Additional postage charges may be applicable.
Defective items
If there is a problem with any of the items received for your order then the Booktopia Customer Care team is ready to assist you.
For more info please visit our Help Centre.
























