Lost Empress

Impressive in its vigour and virtuosity, pleasing in its exuberant fancy, admirable doubtless in its commitment to questions of social justice and its indictment of the reality of the American criminal justice system with its mass incarceration . . . There are echoes also of Joseph Heller's Catch 22, a novel which employed the absurd in order to expose absurdity. - Scotsman.

A formally ambitious, loopy, freewheeling, angry, expansive patchwork of intertwined voices . . . By the time we reach the dizzying, desperate final act (featuring a prison break, romance, one of the most gripping David and Goliath matches in fiction and the possible end of time) we are exhausted - but entertained. - Daily Telegraph.

Lost Empress is zealous and unruly, jolting and uproarious . . . a brawler, a spoiler, a broad societal farce . . . Reading it is a little like being accosted by a brilliant conspiracy theorist on the night bus home. - Guardian.

The great achievement of Lost Empress is that its impressive feats of literary-cultural allusion, formal experiment, philosophical musing and canny satire are often balanced by, and eventually become secondary to, old-fashioned, flat-out, suspenseful story-telling. - New Statesman.

De La Pava is a maximalist worldbuilder, and the incredible multiverse he constructs in this book

establishes him as one of the most fearsomely talented American novelists working today. - Publishers Weekly.

De la Pava himself can seem like an avenging angel, at least for those with a certain view of what ails contemporary American literature - The New Yorker

Sergio de la Pava's expansive new novel, Lost Empress, a 600-page melting pot of criminal-justice policy, American football and metaphysics . . . The book oscillates between hilarious surrealism and shocking reality . . . With messianic fervour, he conjures up marginalised voices and the horrors of mass incarceration, against a backbeat of sporting thrills and that apocalyptic crescendo. - Economist

A tour de force that puts De La Pava in rarified company, like Tom Robbins meets Thomas Pynchon . . . Think screwball comedy with a Stephen Hawking twist . . The method behind the madness is, well, brilliant. - Dallas News.