| Chronology of Works | p. xix |
| Acknowledgements | p. xxix |
| About the Editors | p. xxxi |
| Introduction | p. 1 |
| The Easter Frock, from Come Go Home With Me | p. 8 |
| from Bastard Out of Carolina | p. 12 |
| from Five Minutes in Heaven | p. 19 |
| Ontological | p. 24 |
| Long Story | p. 25 |
| Sonnet for Her Labor | p. 27 |
| A Place with Promise | p. 28 |
| from This Day and Time | p. 32 |
| from Hunter's Horn | p. 38 |
| from Seedtime on the Cumberland | p. 40 |
| The First Ride | p. 42 |
| Neighbors | p. 49 |
| When Grandmother Wept | p. 49 |
| Cicada's Song | p. 50 |
| Someday in a Wood | p. 51 |
| The Stair | p. 51 |
| Women Die Like Trees | p. 54 |
| When Earth Becomes an "It" | p. 54 |
| Anorexia Bulimia Speaks from the Grave | p. 55 |
| A Time to Reweave, from Selu | p. 56 |
| A Time to Study Law, from Selu | p. 57 |
| Out of Ashes Peace Will Rise | p. 61 |
| Belinda, Our Tremendous Gift | p. 64 |
| from Behind the Blue Ridge | p. 71 |
| from Sara Will | p. 74 |
| from Dorie: Woman of the Mountains | p. 79 |
| Wildwood Flower | p. 83 |
| Bittersweet | p. 84 |
| Lineage | p. 84 |
| Easter | p. 86 |
| Mountain Time | p. 87 |
| from Sing for Freedom | p. 91 |
| 40, from Stories I Ain't Told Nobody Yet | p. 97 |
| 49, from Stories I Ain't Told Nobody Yet | p. 98 |
| from Maybe, The Last of the 'Waltz Across Texas' and Other Stories | p. 99 |
| from Daytrips | p. 102 |
| from My Appalachia | p. 108 |
| Second Christmas | p. 114 |
| Spending the Night | p. 114 |
| Discipline | p. 115 |
| The Glad Gardener | p. 116 |
| from Wilder | p. 119 |
| The Boy | p. 124 |
| Hospitality | p. 125 |
| The Widow Man | p. 125 |
| Kivers | p. 126 |
| In Envy of Migration | p. 130 |
| Maps | p. 131 |
| About the Pelvis | p. 133 |
| Tick | p. 134 |
| The Hillbilly Vampire | p. 138 |
| The Vampire Ethnographer | p. 139 |
| No Minority | p. 140 |
| Homer-Snake, from Sweet Hollow | p. 143 |
| Sister | p. 150 |
| Sports Widow | p. 151 |
| from Call Home the Heart | p. 154 |
| Country | p. 158 |
| For Dr. Josefina Garcia & the "Tissue Committee" | p. 159 |
| Zora neale | p. 161 |
| from Life in the Iron Mills | p. 164 |
| Giving the Sun | p. 170 |
| The Hole | p. 170 |
| Twins | p. 171 |
| Poetics South | p. 172 |
| In a Time of Drought | p. 173 |
| Broadside | p. 173 |
| from Praise House | p. 176 |
| from Pilgrim at Tinker Creek | p. 181 |
| This is what history is | p. 185 |
| A woman is segmented as an ant | p. 185 |
| Every open space fills with sky | p. 186 |
| Appalachia | p. 190 |
| Elegy For Jody | p. 191 |
| from Fiddling His Way to Fame, The Heart of Old Hickory | p. 194 |
| from Return the Innocent Earth | p. 199 |
| from The French Broad | p. 204 |
| from The Durket Sperret | p. 210 |
| from More than Moonshine | p. 215 |
| Granny Brock | p. 217 |
| Mountains Fill Up the Night | p. 218 |
| Appalachia, Where are your Hills? | p. 219 |
| from Queen Ida's Hair-Doing House of Waves, Heartwood | p. 222 |
| Irons At Her Feet | p. 225 |
| from Sight to the Blind | p. 229 |
| from Storming Heaven | p. 234 |
| from The Unquiet Earth | p. 236 |
| from Hannah Fowler | p. 242 |
| Griots, from Racism 101 | p. 247 |
| Knoxville, Tennessee | p. 249 |
| Revolutionary Dreams | p. 250 |
| A Poem Off Center | p. 250 |
| from A Southern Family | p. 254 |
| from The War at Home | p. 259 |
| from M.C. Higgins the Great | p. 264 |
| Writing Lessons (I.) | p. 269 |
| She | p. 270 |
| Writing Lessons (II.) | p. 271 |
| To her mother, lying in state | p. 272 |
| from A Circuit Rider's Wife | p. 276 |
| from The Hawk's Done Gone | p. 279 |
| from Past Titan Rock | p. 284 |
| Ms. Ida Mae, from Tough Customers and Other Stories | p. 289 |
| from My Great-Aunt Arizona | p. 294 |
| Momma's Letter | p. 299 |
| The Last Unmined Vein | p. 300 |
| from The Long Roll | p. 305 |
| from The Autobiography of Mother Jones | p. 309 |
| Life and Art in East Tennessee | p. 312 |
| Hooked Album Quilt, 1870 | p. 313 |
| Weather Rhymes | p. 317 |
| from Weeds | p. 321 |
| from No Place Like Home | p. 325 |
| The Familiar Level | p. 327 |
| Refusing a Spinal | p. 328 |
| from The Bean Trees | p. 332 |
| from Prodigal Summer | p. 336 |
| from Extended Learning, Farlanburg Stories | p. 340 |
| from Some Days There's Pie | p. 348 |
| from Coon Creek Girl | p. 355 |
| from To Make My Bread | p. 360 |
| from With A Hammer for My Heart | p. 366 |
| Where I'm From | p. 370 |
| Rings | p. 371 |
| Salvation | p. 372 |
| Growing Light | p. 373 |
| Mulberries | p. 376 |
| To My Daughter Going Off to College | p. 377 |
| Welcome to the Other Side | p. 379 |
| Good Luck Charm | p. 380 |
| from Christy | p. 383 |
| The Gifts of the Spirit | p. 388 |
| Rain | p. 392 |
| Saved | p. 393 |
| Ascension | p. 394 |
| from The McCoys | p. 397 |
| from The Songcatcher | p. 402 |
| from Up the Hill toward Home | p. 409 |
| from Mother of the Disappeared: An Appalachian Birth Mother's Journey | p. 415 |
| Many Waters | p. 421 |
| For My Grandmother Who Knows How | p. 423 |
| The Hollow | p. 424 |
| Mother Milking | p. 425 |
| Music | p. 426 |
| Twilight in West Virginia: Six O'Clock Mine Report | p. 430 |
| Deep Mining | p. 431 |
| Sunday Morning, 1950 | p. 432 |
| The Only Portrait of Emily Dickinson | p. 433 |
| Visiting My Gravesite: Talbott Churchyard, West Virginia | p. 434 |
| The Other Woman | p. 437 |
| Aubade to Fear (Heavy with Child) | p. 437 |
| Hill Daughter | p. 438 |
| Arrow Grasses by Greenbrier River | p. 439 |
| from The Milkweed Ladies | p. 440 |
| Lanterns and Lamps | p. 443 |
| First Plowing in the Hills | p. 444 |
| from The Spirit of the Mountains | p. 447 |
| from The Edge of the Woods | p. 451 |
| Seventh Grades | p. 453 |
| Breadstuff | p. 454 |
| All Those Nights | p. 456 |
| Under The Earth | p. 457 |
| The Way Back | p. 458 |
| Story is a Woman | p. 461 |
| Solidarity in the Night | p. 462 |
| Ahlawe Usv' Tsigesvgi | p. 463 |
| Rumors, from Red Woman With Backward Eyes | p. 464 |
| from In the Tennessee Mountains | p. 470 |
| Briers, from Brier Country: Stories from the Blue Valley | p. 474 |
| from Machine Dreams | p. 480 |
| from Motherkind | p. 484 |
| Nativity | p. 489 |
| Echocardiogram | p. 490 |
| The Calling | p. 492 |
| In the Kitchen We String Beans | p. 496 |
| Clarissa and the Second Coming | p. 497 |
| When You Lose a Child | p. 498 |
| Snake Dreams | p. 500 |
| July 18, 1966 | p. 503 |
| Woman Writer | p. 504 |
| I Used To Be A Teacup | p. 505 |
| Discovered | p. 506 |
| How Do You Remember Him? | p. 507 |
| from Singing Family of the Cumberlands | p. 510 |
| from The Time of Man | p. 515 |
| from Sketches of History, Life, and Manners, in the United States | p. 519 |
| from Missing May | p. 523 |
| Pink | p. 528 |
| Mornings, Sheba Combs Her Hair | p. 529 |
| Liza's Monday | p. 530 |
| The Morning of the Red-Tailed Hawk | p. 531 |
| All On A Summer's Afternoon | p. 532 |
| Legacy For Rachel | p. 533 |
| from Addie | p. 536 |
| from The Killing Ground | p. 539 |
| Why I Write | p. 545 |
| Fat Sestina | p. 546 |
| Spellcheck | p. 548 |
| from Cabins in the Laurel | p. 551 |
| Appalachian Winter | p. 556 |
| from Our Mountain | p. 562 |
| Homecoming | p. 567 |
| Kathy | p. 567 |
| My Father. His Rabbits | p. 568 |
| Backwoods Haiku | p. 569 |
| from What My Heart Wants to Tell | p. 572 |
| Bad News | p. 576 |
| And This Is The Way To Be Poor | p. 577 |
| The Language of Poetry | p. 578 |
| Memories of Home | p. 581 |
| from Saving Grace | p. 585 |
| Cycles from Transparencies | p. 593 |
| Where Stuarts Lie | p. 594 |
| Roots | p. 594 |
| Composition | p. 595 |
| from Big Stone Gap | p. 598 |
| Economy | p. 603 |
| New Poor | p. 603 |
| A Dry Spring | p. 604 |
| Our Bodies Remember | p. 605 |
| Force | p. 607 |
| from Shadow of the Mountain | p. 610 |
| My Boy Elroy, from In the Mountains of America | p. 615 |
| from The Raising, From the Bottom Up | p. 625 |
| from The Morning Cool | p. 630 |
| More Women Writing in Appalachia | p. 635 |
| A Selected Bibliography | p. 647 |
| Index of Titles and Authors | p. 653 |
| Permissions | p. 663 |
| Table of Contents provided by Ingram. All Rights Reserved. |