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Leftover Salmon : Thirty Years of Festival! - Tim Newby

Leftover Salmon

Thirty Years of Festival!

By: Tim Newby

Hardcover | 8 February 2019

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For thirty years, Leftover Salmon has blended musical styles from rock and bluegrass to zydeco and Cajun into an undeniably original sound and forever influenced generations of bands from across the musical spectrum. Emerging from the progressive bluegrass world and coming of age as one the original jam bands, Leftover Salmon rose to become architects of what has become known as Jamgrass-a style in which bluegrass can break free through nontraditional instrumentation and stylistic experimentation. In this book, Tim Newby presents an intimate portrait of Leftover Salmon through its band members, family, friends, former bandmates, managers, and countless musicians. Leftover Salmon was born from the heart and soul of America itself, playing music that reflects the sounds emanating from the Appalachian hills, the streets of New Orleans, the clubs of Chicago, the plains of Texas, and the mountains in their home state of Colorado. Newby reveals Leftover Salmon's story as one that is crucialto American music and needs to be told now.
Industry Reviews
After interviewing dozens of Leftover Salmon’s members, family, and friends, as well as other musicians, music writer Newby expertly and lovingly details the 30-year history of the group, which mixes bluegrass and rock with traces of Cajun, country, and jazz in a jubilant Americana gumbo, and sheds some light on the Grateful Dead–inspired jam band scene. Arranging the book chronologically, the author begins with the formation of the outfit in Boulder, CO, by core members Drew Emmitt (mandolin, guitar, vocals), Mark Vann (banjo), and Vince Herman (guitar, vocals) in 1989. Newby charts the group’s gradual rise from local heroes to national prominence with Euphoria (1997) and describes the musical impact of personnel changes. He ends by dealing with the death of Vann in 2002 and the band’s breakup in 2004, its reunion three years later, recent albums and tours, and tributes by other musicians who tout the group’s importance. The author locates Leftover Salmon within the improvisational, fan-centered, tour-based, musical mashup of the Nineties jam band craze.

VERDICT This affectionate work will be manna for jam band fans and interest general readers.—David P. Szatmary, formerly with Univ. of Washington, Seattle

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