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Last Days in Cleaver Square - Patrick McGrath

Last Days in Cleaver Square

By: Patrick McGrath

Hardcover | 20 May 2021

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A haunting and atmospheric novel from the author of Asylum, Trauma and The Wardrobe Mistress.

'Let there be no more of this clucking and wheedling. Oh Pa, are you sure? Or: Oh Francis, is this really a good idea? Let me be clear. I am always sure, and it is always a good idea.'

An old man is sleeping fitfully. It's too hot. The air is thick with Spanish Jasmine floating in from his overgrown garden. And he's not sure whether he'll be woken by General Franco sitting on the end of his bed.

It's 1975 and Francis McNulty is nearing the end of his life but feeling far from peaceful. A veteran of the Spanish Civil War, he is tormented by grief and guilt about a brief, terrible act of betrayal from that time; and he's started seeing his old nemesis on the street, in the garden and now in his bedroom. Neither he nor his daughter Gillian, who lives with him in Cleaver square, know what to do.

When Gillian announces her impending marriage to a senior civil servant, Francis realises that he must adapt to new circumstances - and that the time has come to confront his past once and for all.

About the Author

Patrick McGrath is the author of two short story collections and nine novels, including the international bestseller, Asylum. He is also the author of Writing Madness, a collection of his short fiction and selected non-fiction. His novel Trauma was shortlisted for the Costa Novel Award and Spider was filmed by David Cronenberg from McGrath's adaptation. He co-edited an influential anthology of short fiction, The New Gothic, and recent non-fiction includes introductions to The Monk, Moby Dick and Barnaby Rudge. Patrick McGrath lives in Manhattan and London.
Industry Reviews
'An atmospheric novel, with a magnificently unreliable narrator . . . McGrath is a connoisseur of this literary tradition.'
Financial Times

'The pleasure in a Patrick McGrath novel is the travelling, not the arrival, and this is a rare novel that has pleasure on every page.'
The Times

'Unfailingly deft in his handling of trauma and deceit.'
Guardian

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